Jeune Fille Vue de Dos (Young Woman Seen from Behind)
Etching and aquatint printed in colors, 1906, de Ginestet & Pouillon E 155 (v/V), edition 50. 6 5/8 x 4 3/8 in. Signed and dated in the plate. Signed in pencil, lower right. This is a fine, delicate impression as published by Sagot, Paris, with their blindstamp lower right. The paper is a white wove and the margins are full. The condition is excellent. The sitter for this charming print is Suzanne Duchamp.
SOLD

Musicians at the Bistro (Musiciens chez le Bistro)
Etching, 1912, Ginestet & Pouillon 270 (v/V), edition 50. 10 1/2 x 9 in. Signed and numbered in pencil. This is a superb impression printed on ARCHES laid paper. The margins are full and the condition is fine. (There are two small specks of foxing in the right margin.) It was during this period, 1911-1913, when Villon developed his unique cubist style in etching and drypoint. This print is a fine example of his work during this important period.
SOLD

Nu a Genoux
Etching, 1929, de Ginestet & Pouillon 328 (ii/II), edition 50. 8 3/4 x 6 1/2 in. Signed in pencil and also inscribed "epreuve d'artiste" (also with a pencil dedication). A fine impression. Lower right corner margin missing otherwise fine overall.
SOLD

The Little Merry-go-Round, Rue Caulaincourt (Le Petit Manège, Rue Caulaincourt)
Etching, aquatint and drypoint printed in colors, 1904, Ginestet & Pouillon 135; one of five extra impressions aside from the edition of 50. 15 3/4 x 19 1/2 in. Signed in the plate, lower left. Signed in pencil. This is a superb impression with vibrant colors. The margins are full and the condition is fine apart from just a slight suggestion of toning within an earlier mat opening. This work was published by Sagot, Paris and their blindstamp is located in the lower right corner margin. This marvelous early work is shown here printed with all the colors.
SOLD