Gabled Roofs (Vitre)
Lithograph, 1893, Art Institute of Chicago 64, Way 41, Levy 67. 8 1/2 x 6 1/2 in. One of 53 impressions printed by Goulding in 1904. (There were only 12 lifetime impressions.) A fine impression with full margins. Fine condition other than minor handling creases and surface soiling. The sheet bears the posthumous watermark #219.
SOLD

La Robe Rouge
Lithograph, 1894, Art Institute of Chicago 107 (ii/II), Way 68, Levy 96; as published in Studio. 7 1/2 x 6 in. Signed on the stone with the monogram. Fine impression and condition. The full sheet.
SOLD

La Robe Rouge
Lithograph, 1894, Art Institute of Chicago 107 (ii/II), Levy 96, edition about 3,000. 7 1/2 x 6 in. Signed on the stone with the artist's monogram. This is a fine impression as published in The Studio (6), no.32, November 15, 1895. The margins are full and the condition is fine. This beautiful image is a portrait of Beatrix Whistler, née Birnie Philip.
SOLD

Maunder's Fish Shop, Chelsea
Lithograph, 1890, Art Institute of Chicago 37 (ii/II) Way 28; edition at least 31 lifetime impressions. 7 1/2 x 7 in. Signed on the stone with the printed butterfly. Signed below with the pencil butterfly. This is a superb lifetime impression with full margins. (There's no apparent watermark.) The condition is excellent. This was a popular image for Whistler and it was later published in the Whirlwind in a large edition with a line of text added. There were an additional thirty-eight posthumous impressions printed by Goulding in 1903. Our impression is printed on an ivory laid paper and bears the red Rosaling Birnie Philip stamp (Lugt 406) indicating a lifetime impression. Whistler depicted this subject at least four times including as an oil painting now in the collection of the Boston Museum of Fine Arts.
$3,000

Nursemaids, Les Bonnes de Luxembourg
Lithograph, 1894, Art Institute of Chicago 81, Way 84, Levy 79; as published in Art Journal, December, 1894. 9 x 6 1/2 in. Signed on the stone with the monogram. Fine condition.
SOLD

Old Battersea Bridge
Lithograph, 1879 and 1887, Art Institute of Chicago 18 (ii/II), Levy 24,; edition 100. 5 7/8 x 13 in. Signed on the stone with the butterfly signature at left. This is a fine, nicely inked impression printed on greyish chine applique. The margins are wide and the condition is very good apart from faint toning at the extreme edges of the wove support sheet. This impression was published in a portfolio called "Art Notes," printed by Way and published by Boussod, Valadon and Co in 1887.
$2,000

Reading
Lithograph, 1879 and 1887, Art Institute of Chicago 17 (iv/IV), Way 13, edition 100. 6 1/8 x 5 in. Signed on the stone with the butterfly. This is a fine chine applique impression printed by Way for Art Notes. The condition is very good. There's slight toning, verso, and an old adhesive residue along the extreme top edge of the sheet. The margins are quite wide. This beautiful study of Maud Franklin is rare today.
SOLD

Savoy Pigeons
Lithograph, 1896, Art Institure 154, Way 118, Studio edition. 8 x 5 1/2 in. Signed on the stone with the butterfly signature. This fine impression was printed for the Studio in an edition of about 3,000. Full margins. Fine condition.
SOLD

The Girl
Lithograph, probably 1891, Art Institute of Chicago 47, Way 159. 8 1/2 x 4 1/2 in. Signed on the stone with the butterfly signature. A fine impression of this uncommon print. Full margins. Fine condition. With the round Rosalind Birnie Philip ink stamp, verso, indicating the impression was printed in 1903. There are no know lifetime impressions of this print, only the 1903 edition of 55.
SOLD

The Tyresmith
Lithograph, 1890, Art Institute of Chicago 36, Way 27, Levy 41; as published in The Whirlwind, November 15, 1890. 8 x 7 in. Signed on the stone with the monogram. Full margins. Slight discoloration along extreme outer edges of the sheet.
SOLD