The Meeting
THOMAS HART BENTON
American, (1889-1975)
Lithograph, 1941, Fath 47, edition 250. 11 1/2 x 8 7/8 in. Signed on the stone and signed in pencil. This is a fine impression in very good condition. The margins are full. (There is minor adhesive residue at top edge of sheet, barely discernible.) The print is based on a 1928 drawing. The scene is a meetinghouse in West Virginia.
$3,500

Old Man Reading
THOMAS HART BENTON
American, (1889-1975)
Lithograph, 1941 , Fath 44, edition 250. 10 x 12 1/8 in. Signed on the stone and signed in pencil. This is a fine impression with wide margins. The condition is very good other than a faint trace of old adhesive at the edges of the sheet, verso.
$3,800

Haystack
THOMAS HART BENTON
American, (1889-1975)
Lithograph, 1938, Fath 21, edition 250. 10 1/4 x 12 3/4 in. Signed in pencil, lower right. This fine impression is in fine condition. The margins appear to be full. An outstanding work.
$3,800

State Street, Chicago
W. H. W. BICKNELL
American, (1860-1945)
Etching, circa 1892, edition unknown. 14 x 10 1/2 in. Signed in the plate and also signed in pencil. A fine impression of this dramatic view of Chicago. Trimmed into the platemark at top but still one inch from the image. Slight rippling and discoloration at top. Rare.
$550

Street Scene II
MORRIS BLACKBURN
American, (1902-1979)
Screenprint, circa 1945, edition 30. 8 7/8 x 11 3/4 in. Signed and titled in pencil. This is a fine impression in fine condition. The margins appear to be full and untrimmed. This is an outstanding modernist print by this Philadelphia artist.
SOLD

View of the State House, Boston
ALEXANDER A. BLUM
American, (1888-1969)
Etching, circa 1920-1930, edition probably 50 -100. 12 x 7 1/2 in. Signed in pencil. A fine impression printed with tone. Full margins. Fine condition. This is one of several Boston area etchings by Blum done very much in the manner of Whistler's Venetian style.
$450

She Still Stands
CONRAD BUFF
American, (1886-1975)
Lithograph, probably 1930s, edition 50. 12 x 15 3/4 in. Signed and titled in pencil. A fine impression in fine condition. Probably full margins. A very good, typical western landscape by this underrated lithographer.
SOLD

Sunflowers and Red Barn
CHARLES BURCHFIELD (AFTER)
American, (1893-1967)
Screenprint, circa 1942, edition unknown. 16 x 20 1/4 in. Signed in the image lower left. This is a fine impression printed on a tan wove paper. The condition is generally very good other than the remains of old hinges at the top corners. The top margin is narrow and might have been trimmed. This print was published by Living American Art, New York. The extent of Burchfield's involvement in making this print has yet to be determined but it is most likley produced after his watercolor of the same subject.
$3,500

Market Day in Lillebonne
SAMUEL CHAMBERLAIN
American, (1895-1975)
Drypoint, 1930, Chamberlain / Kingsland 90, edition 100. 13 3/4 x 9 in. Signed and titled in pencil. A fine impression printed on a thin china paper. Full margins. The condition is fine other than traces of old hinges at top.
$475

Central Park Lake
ADOLF DEHN
American, (1895-1968)
Lithograph, 1947, Lumsdaine/O'Sullivan 436, edition 250. 8 3/4 x 13 3/8 in. Signed in pencil. A fine impression with wide margins. Very good condition. Minor discoloration along a previous mat opening.
$750

Still Hollow
KERR EBY
American, (1889-1946)
Etching printed with plate tone, 1936, Giardina 185 (ii/II), edition 100. 10 1/4 x 14 3/4 in. Signed in pencil. A fine impression of this notable work. Full margins. Fine condition.
SOLD

In the Open
KERR EBY
American, (1889-1946)
Etching, 1927, Giardina 123 (iii/III), edition 90. 7 7/8 x 12 3/4 in. Signed in pencil. This is a fine impression in excellent condition. The margins are wide and probably untrimmed. This print was based on Eby's World War I experiences in France. The work is cited in several museum collections.
$800

Sussenborn
LYONEL FEININGER
American, (1871-1956)
Woodcut, 1924, Prasse W253, edition 50. 5 3/8 x 5 3/4 in. Unsigned, but with the Feininger Estate stamp verso. It's a fine impression on Mino paper with probably the full margins. Very good condition. The edition is fifty but the catalog states forty-four are unsigned, as here. There is a trace of a horizontal crease in the image.
$1,600

Spring Valley Willows
DANIEL GARBER
American, (1880-1958)
Etching, 1942, edition 50. 8 7/8 x 11 7/8 in. Signed in the plate and signed and titled in pencil. The impression was printed by the artist and is so inscribed "DG imp.). This fine, luminous impression has substantial margins measuring at least 1/2" all around. The condition is excellent. This large work is exemplary of Garber's skills as an etcher.
$2,800

Design
KARL GASSLANDER
American, (1905-1997)
Blockprint, circa 1930-40, small edition. 9 x 9 in. Signed and titled in pencil. A fine impression printed on a thin, fibrous Japanese paper. Full margins. Fine condition. This print was done as a textile design as stated on an old exhibition label, verso. He lived in the Chicago area and was a rather good modernist painter. This is a nice example of American design of the era.
$450