Dutch & Belgian Prints

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Landscape 2015-V -  POSTMA

Landscape 2015-V
GRIETJE POSTMA
Dutch, (b. 1961)
Woodcut printed in colors, 2015, edition 25. 7 3/8 x 21 1/4 in. Signed, dated and titled in pencil. With the edition listed in the lower left. This is a fine impression in fine condition. The margins are full.
$750

Landscape 2001-IV -  POSTMA

Landscape 2001-IV
GRIETJE POSTMA
Dutch, (b. 1961)
Woodcut printed in colors, 2001, edition 40 plus 10 artists's proofs 13 3/8 x 15 3/4 in. Signed and titled, lower right. Numbered in pencil, lower left. This is a fine impression in fine condition. The margins are full.
$800

Landscape 2003-I -  POSTMA

Landscape 2003-I
GRIETJE POSTMA
Dutch, (b. 1961)
Woodcut printed in colors, 2003, edition 40 plus 10 artist's proofs. 15 1/8 x 22 1/2 in. Signed, dated, titled and numbered in pencil. This is a fine impression of this uncommon work. The margins are full and the condition is excellent. As with all of Postma's work, this exemplary woodcut is printed from a single block. This is not a multiple block woodcut in the Japanese tradition, but rather, a reduction woodcut printed from a single piece of wood. The artist makes an initial design on the block and then prints the entire edition. She returns to the block and makes more design changes and then re-inks the block and prints on top of the same sheets of paper. This process continues and the end result is a build up of layers of ink resulting in a subtle yet rich overlay of colors. There is very little margin for error in this time consuming yet rewarding process. Grietje Postma is one of the finest woodcut artists working in Holland today.
SOLD

2016-III (Moonwalker) -  POSTMA

2016-III (Moonwalker)
GRIETJE POSTMA
Dutch, (b. 1961)
Woodcut printed in colors, 2016, edition 29. 7 5/8 in. (diameter) Signed, titled and numbered in pencil. The print is also signed with the following, Bois Perdu, "Moonwalker." This is a fine impression with full margins. Excellent condition. This exquisite work is an uncommon subject and format by the artist.
$400

Landscape 2017-I -  POSTMA

Landscape 2017-I
GRIETJE POSTMA
Dutch, (b. 1961)
Woodcut printed in colors, 2017, edition 24. 21 1/4 x 6 1/4 in. Signed, dated, numbered and titled in pencil. Here we have a superb impression of this lovely print. The margins are full and the condition is fresh. A horse as subject in a landscape is something new for the artist.
$650

Landscape 2016-IV -  POSTMA

Landscape 2016-IV
GRIETJE POSTMA
Dutch, (b. 1961)
Woodcut printed in colors, 2016, edition 29. 15 x 22 1/2 in. Signed, titled, dated and numbered in pencil. This is a superb, luminous impression with full margins. The margins are full. Here we have an exceptional study in vibrant colors, luminosity and foreshortening done in the very challenging medium of reduction woodcut.
$1,400

Landscape 2017-III -  POSTMA

Landscape 2017-III
GRIETJE POSTMA
Dutch, (b. 1961)
Woodcut printed in colors, 2017, edition 20. 17 x 22 3/4 in. Signed, dated, titled and numbered in pencil. This is a fine impression in excellent condition. The margins are full. As with all of Postma's work, this exemplary woodcut is printed from a single block. This is not a multiple block woodcut in the Japanese tradition, but rather, a reduction woodcut printed from a single piece of wood. The artist makes an initial design on the block and then prints the entire edition. She returns to the block and makes more design changes and then re-inks the block and prints on top of the same sheets of paper. This process continues and the end result is a build up of layers of ink resulting in a subtle yet rich overlay of colors. There is very little margin for error in this time consuming yet rewarding process. Grietje Postma is one of the finest woodcut artists working in Holland today.
$900

Landscape 2017-II -  POSTMA

Landscape 2017-II
GRIETJE POSTMA
Dutch, (b. 1961)
Woodcut printed in colors, 2017, edition 29 6 3/4 x 24 1/2 in. Signed, titled, dated and numbered in pencil. This is a fine impression with full margins. The condition is fine apart from a small wrinkle in the upper right corner, well away from the image.
$675

Rabbit -  RAHUSEN

Rabbit
INA RAHUSEN
Dutch, (1895-1977)
Lithograph, Circa 1930, Edition probably about 50. 6 3/4 x 9 5/8 in. Initialed on the stone and signed in pencil. Also inscribed "handdruck." A fine impression in fine condition with full margins. (There's some minor rippling in the image.)
SOLD

Cactus Study -  RAHUSEN

Cactus Study
INA RAHUSEN
Dutch, (1895-1977)
Lithograph, circa 1920-30, edition unknown but probably about 50. 13 1/4 x 8 1/2 in. Initialed on the stone and signed in pencil. A superb impression in fine condition with full margins. Rahusen was a skilled lithographer and this work shows her command of the medium.
SOLD

Lienden -  SCHELFHOUT

Lienden
LODEWIJK SCHELFHOUT
Dutch, (1881-1943)
Drypoint, 1916-1919, Zandvoort 54 (ii/II), edition 31. 6 1/2 x 4 7/8 in. Signed and dated in pencil. A superb impression rich with burr. Full margins. Very good condition. Schelfhout's work is included in The Cubist Print (1981). He was a friend of Jan Toorop and shared a studio with Mondrian in Paris.
SOLD

Verre (Holland) -  SCHELFHOUT

Verre (Holland)
LODEWIJK SCHELFHOUT
Dutch, (1881-1943)
Drypoint, 1917, Cultureel Centrum Zandvoort catalogue # 61 (i/II), edition 26. 6 1/4 x 4 5/8 in. Signed and dated in pencil and also inscribed "1st" in reference to the state (staat). This is a superb impression with full margins. The condition is fine apart from a very faint suggestion of light toning within an older mat opening. Schelfhout's work is discussed on pages 212-213 of Holland on Paper in the Age of Art Nouveau, by Cliff Ackley (2014).
$850

A Dutch Landscape with Tree and Windmills -  SCHELFHOUT

A Dutch Landscape with Tree and Windmills
LODEWIJK SCHELFHOUT
Dutch, (1881-1943)
Drypoint, 1915, Zandvoort number unknown, edition unknown. 7 7/8 x 5 7/8 in. Signed and dated in pencil. Inscribed "2st" referring to the second state of probably two. This is a superb impression of this cubist era print. The margins are full and the condition is fine apart from minor staining along the top margin. Schelhout's work is illustrated and discussed in Ackley's 2014 book, Holland on Paper in the Age of Art Nouveau, Pages 212-213. He was one of the very few Dutch cubist artists.
SOLD

The Shower -  SCHONK

The Shower
JAN SCHONK
Dutch, (1889-1976)
Lithograph, circa 1920-30, edition unknown. 18 x 14 1/4 in. A fine impression on cream wove paper. Full margins. Fine condition. Initialed on the stone. Signed and titled in pencil; this impression also inscribed "5". Schonk produced many such vibrant, stylized images of landscapes and birds. He was born in Schiedam and later studied in Groningen with Simon Moulijn.
SOLD

Waterverversching (Water Refreshment) -  SCHONK

Waterverversching (Water Refreshment)
JAN SCHONK
Dutch, (1889-1976)
Etching, undated (probably circa 1920-25), Hijner/ Hilversum catalogue 37, edition unknown. 14 1/2 x 18 1/16 in. Signed in pencil, lower right. Titled in pencil, upper left. Inscribed, eigendruk," lower left (printed by hand). This is a fine impression in good condition. The margins are full. (There are a few spots of foxing(?) here and there in the margins.) Schonk did a series of fish etchings (and woodcuts) in black and white which echo the earlier work of J.G. Veldheer and his color woodcuts. Schonk's stylized work from the art deco era is quite distinctive and certainly worthy of more attention. He was a student of Simon Moulijn in Groningen.
SOLD

La Moisson (The Harvest) -  SCOUPREMAN

La Moisson (The Harvest)
PIERRE SCOUPREMAN
Belgian, (1873-1960)
Woodcut, 1920s, edition unknown. 15 3/4 x 11 5/8 in. Signed and titled in ink. This is a fine impression in very good condition. There's some minor creasing in the wide margins. In addition to his expressionist style woodcuts, Scoupreman was a gifted painter. He was friendly with Rik Wouters.
SOLD

Mother and Child -  STEVENS

Mother and Child
AIME STEVENS
Belgian, (1879-1951)
Lithograph, undated (circa 1910-, edition unknown. 16 1/2 x 11 3/8 in. Signed on the stone with monogram and also signed in ink with a dedication to the artist Albert Roelofs. A fine impression of this endearing print. Full margins. A few soft creases showing. Stevens was a master draughtsman and a Professor at the Academy de Bruxelles.
$950

Paris Bookstalls -  STRUBE

Paris Bookstalls
JAN STRUBE
Dutch, (1892-1985)
Lithograph, 1953, edition unknown. 11 7/8 x 19 1/8 in. Signed, dated and titled in pencil. This is a fine, richly inked impression in very good condition. (There's minor soiling in the full margins.) Strube was an outstanding draughtsman and he was a natural as a lithographer. His work is intensely realistic and often his imagery borders on the surreal. He was a member of "Arti et Amicitiae" (Amsterdam) and there was an exhibition of his work in Breda in 1942. His work is included in the Rijksprentenkabinet.
SOLD

Woman Leaning on a Mirror -  THOMAS

Woman Leaning on a Mirror
HENRI THOMAS
Belgian, (1878-1972)
Drypoint, undated (circa 1910-, edition unknown. 9 1/2 x 6 1/4 in. Signed in pencil and also with a pencil dedication. A fine impression printed with tone. Wide margins. Very good condition.
SOLD

Leda and the Swan -  TIELEMANS

Leda and the Swan
EMILE-HENRI TIELEMANS
Belgian, (1883-1960)
Drypoint printed in color, 1926, edition 50. 10 7/8 x 9 3/4 in. Signed and dated in pencil, lower right. This is a fine impression with full margins. The condition is excellent. This lovely print was issued in the portfolio La Gravure Originale Belge, Volume 3, 1929. Tielemans was also an illustrator and jewelry designer.
SOLD

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