American Prints

Pages: < back [ 1 - 2 - 3 - 4 - 5 - 6 - 7 - 8 - 9 - 10 - 11 - 12 - 13 - 14 - 15 ] next >

Rain -  MURPHY

Rain
GLADYS WILKINS MURPHY
American, (1907-1985)
Woodcut printed in colors, 1930s, edition 50. 8 x 6 in. Signed, numbered and titled in pencil. This is a fine, atmospheric impression printed on Japanese paper. The margins are full and the condition is fine. (There's a subtle wrinkle in the lower right corner margin well away from the image.) Murphy was a student and teacher at the Rhode Island School of Design. She exhibited with the Boston Art Club, the Society of American Etchers, the Philadelphia Print Club and the National Academy of Design.
$750

Silhouette -  MURPHY

Silhouette
GLADYS WILKINS MURPHY
American, (1907-1985)
Woodcut printed in colors, circa 1940, edition unknown (this impression inscribed 8 x 6 in. Signed and titled in pencil. It's a fine impression on Japanese paper. The condition is fine and the margins are full. (The left margin is very narrow but it's still the full sheet, untrimmed.) Murphy studied at the Rhode Island School of Design with Eliza Gardiner and she eventually taught there herself from 1928-1946.
SOLD

In the Shadows -  MURPHY

In the Shadows
JOHN J. A. MURPHY
American, (1888-1968)
Woodcut, 1921, Cole Gallery catalogue # 56, not listed in the Québec catalogue: edition unknown. 6 1/4 x 7 3/4 in. Signed in pencil. This is a fine impression in fine condition. The margins are full and the condition is excellent. Murphy's distinctive woodcuts are not so common today. The last known exhibition of his works was at the Musée National des Beaux-arts du Québec in 1997. When he was active he exhibited at the Keppel Gallery in New York and in London at the Leicester Gallery. He was married to the artist Cecil Buller.
$800

Paternity -  MURPHY

Paternity
JOHN J. A. MURPHY
American, (1888-1968)
Woodcut, 1923, Québec catalogue # 59, Cole Gallery catalogue # 122; edition unknown. 9 1/2 x 4 in. Signed in pencil. This is a fine impression of this rare print. The condition is fine and the margins are full. (There's just a faint, very subtle suggestion of foxing here and there in the margins.) Murphy's distinctive woodcuts are not so common today. The last known exhibition of his works was at the Musée National des Beaux-arts du Quebec in 1997. When he was active he exhibited at the Keppel Gallery in New York and in London at the Leicester Gallery. He was married to the artist Cecil Buller and her work was also included in the Quebec exhibition.
$950

Carousel -  MYERS

Carousel
JEROME MYERS
American, (1867-1940)
Drypoint, circa 1925, edition probably 25. 8 x 9 3/4 in. Signed and titled in pencil. Here we have a superb impression rich with burr. The margins are probably full and the condition is quite good. (There's very faint toning on the front and a bit of soiling on the verso.) This exemplary work was certainly done in New York and there are two oils of a similar carousel subject. Myers was one of the founders of the Association of American Painters and Sculptors which organized the 1913 Armory Show. His prints are not especially common.
$1,400

Louisburg Square, Beacon Hill, Boston -  NASON

Louisburg Square, Beacon Hill, Boston
THOMAS NASON
American, (1889-1971)
Wood engraving, 1930, Boston Public Library 119, edition 70. 7 x 8 in. Signed in pencil. A fine impression of this uncommon print. Very good condition.
$950

Garden Flowers -  PATTERSON

Garden Flowers
MARGARET PATTERSON
American, (1867-1950)
Woodcut printed in colors, 1921, Bakker 90, intended edition of probably 100. 10 1/4 x 7 1/4 in. Signed in pencil within the image, lower left. Signed and titled in pencil just below the image. This is a very fine impression with vibrant colors. The margins measure about 1/2" around but this is most likely the full sheet as printed. There's also a subtle wrinkle from the printing process which can be seen in the background at left and it extends somewhat into the image. The condition is very good apart from two small strips of scotch tape on the top and bottom edges verso. This is not visible from the front. The intense work involved in rubbing the colors into the back of the sheet from the blocks is perfectly demonstrated here. The end result is almost sculptural. Due to the labor intensive nature of printing just one impression, and given the scarcity of her prints, we doubt that the full editions were ever printed.
$6,000

Main Street, Nantucket -  PATTERSON

Main Street, Nantucket
MARGARET PATTERSON
American, (1867-1950)
Woodcut printed in colors, circa 1920, Bakker Retrospective 60, intended edition of 100. 7 1/4 x 10 5/8 in. Signed (twice) in pencil. Titled in pencil as well. This is a good impression in fine condition. The margins are trimmed to the image along the top and on the sides, with about 1" along the bottom. (This was done by the artist.) Patterson lived and taught in Massachusetts for many years and produced several outstanding works depicting Cape Cod and the island of Nantucket.
$4,000

Anemones -  PATTERSON

Anemones
MARGARET PATTERSON
American, (1867-1950)
Woodcut printed in colors, undated (1920s), Bakker 99a, intended edition of 100. 9 7/8 x 7 in. Signed and titled in pencil. This is a fine, luminous impression printed on a fibrous, off white Japanese paper. The margins are full. The condition is quite good. This is a rare, annotated proof before the formal edition. The artist has made pencil annotations in the margins referencing difference colors for possible changes, ie. "black," "white," "dark green," etc. This is the completed image, but as is so often the case with arts and crafts era woodcut artists, they are always thinking about the next impression and how they might make color adjustments. We have never seen a Patterson print like this and consider it a unique opportunity.
$5,500

The Winding Road -  PATTERSON

The Winding Road
MARGARET PATTERSON
American, (1867-1950)
Woodcut printed in colors, undated (circa 1912-14), Bakker 29, edition unknown. 7 x 9 1/2 in. Unsigned. This is a fine impression of this uncommon, early work. The margins are narrow and certainly trimmed as such by the artist. The condition is fine. (This impression is originally from the estate of the artist.) This delightful, arts and crafts image is certainly a European scene; we know that Patterson did travel to France, Holland and Belgium before WWI.
$2,800

Bleeding Heart -  PATTERSON

Bleeding Heart
MARGARET PATTERSON
American, (1867-1950)
Woodcut printed in colors, circa 1925, Bakker 93, intended edition of 100 but far fewer were actually printed. 7 x 10 in. Signed and titled in pencil. This is a superb, crisp impression printed on the usual heavy, fibrous, creamy Japanese paper. The margins are full and the condition is fine. This print is not numbered but her prints occasionally turn up as such. This stellar impression has rich, fresh colors in the flowers and the lighter background inking is a nice departure from the heavy, intense inking of so many of her floral woodcuts.
SOLD

Surf and Rocks -  PATTERSON

Surf and Rocks
MARGARET PATTERSON
American, (1867-1950)
Woodcut printed in colors, 1915-20, Bakker 47, edition 100 (?) 7 3/8 x 10 5/8 in. Signed in pencil (twice), numbered and also titled by the artist. This is a fine impression of this very rare woodcut. The margins are trimmed (by the artist) on the top and sides and there's about 3/4" along the bottom. The print is attached to a sheet of sturdy black paper which was most likely done by the artist. The edge of the sheet shows about 1/8" around the print which adds a decorative design element. The Bakker retrospective catalogue from 1989 only lists a gouache study for the print and not the woodcut. This is the first time we've handled an impression of "Surf and Rocks" and it depicts the rocky New England coastline, possibly Maine.
SOLD

Rose with Vine and Bud -  PATTERSON

Rose with Vine and Bud
MARGARET PATTERSON
American, (1867-1950)
Woodcut, 1947, Bakker Retrospective catalogue 112b, small edition. 6 1/4 x 4 3/8 in. Signed and dated in pencil. This is a superb impression of this very rare work. The margins are trimmed to the borderline (by the artist). The condition is fine apart from a small ink smudge in the blank area at left, probably which occurred during the course of the printing process. This endearing work is Patterson's last recorded woodcut and this impression is illustrated on page 36 of the Bakker catalogue.
$2,800

Summer Flowers -  PATTERSON

Summer Flowers
MARGARET PATTERSON
American, (1867-1950)
Woodcut printed in colors, 1920s, Bakker 100a, intended edition of 100. 10 1/4 x 7 1/8 in. Signed in pencil in the image, lower right. Signed titled and numbered just below the image. This is a superb, luminous impression of this rare print. The margins measure about 1/2" all around but this is most likely the full, untrimmed sheet as printed. The condition is fine apart from a small strip of scotch tape on the verso edges, top and bottom. This does not affect the front of the sheet in any way. The paper is Patterson's typical sturdy, somewhat thick Japanese paper which is especially well-suited for intensely rubbing the colors onto the paper from the back of the sheet.
SOLD

Summer Flowers -  PATTERSON

Summer Flowers
MARGARET PATTERSON
American, (1867-1950)
Woodcut printed in colors, 1920s, Bakker 100a, intended edition of 100. 10 1/4 x 7 1/8 in. Signed, titled and numbered in pencil. This is a superb, luminous impression of this rare print. The margins measure about 1/2" all around but this is most likely the full, untrimmed sheet as printed. The condition is excellent. The paper is Patterson's typical sturdy, thick Japanese paper which is especially well-suited for intensely rubbing the colors onto the paper from the back of the sheet.
$6,500

Poppies and Convolvolus -  PATTERSON

Poppies and Convolvolus
MARGARET PATTERSON
American, (1867-1950)
Woodcut printed in colors, 1920s, Bakker retrospective catalogue # 95, intended edition of 100. 7 1/4 x 10 in. Signed, titled and numbered in pencil. This is a superb, luminous impression with notably fresh colors. The margins are full and the condition is fine. Certainly, the finest impressions of Patterson's woodcuts display a remarkable three-dimensionality. The intense work involved in rubbing the colors into the blocks is perfectly demonstrated here and the end result is almost sculptural. Due to the labor intensive nature of printing just one impression, and given the scarcity of her prints, we doubt that the full editions were ever printed.
SOLD

Street Scene, New England (probably Provincetown) -  PAXTON

Street Scene, New England (probably Provincetown)
WILLIAM PAXTON
American, (1869-1941)
Etching, undated (1920s), proofs only. 4 7/8 x 5 7/8 in. Signed in pencil. This is a fine impression of a very rare print. The margins are apparently full and uncut. There's slight discoloration in the margins and there's crackling in the paper along the platemark. Paxton's etchings are all rare and he never printed editions, only proofs. I've seen this print only once before.
SOLD

Portrait of a Lady -  PAXTON

Portrait of a Lady
WILLIAM PAXTON
American, (1869-1941)
Conte pencil with white gouache highlights on grey paper, 1930, 14 3/8 x 11 1/8 in. Signed and dated, lower right. This is an outstanding drawing by this celebrated Boston school painter. The condition is very good. There is a faint bit of discoloration within a previous mat opening and old hinges at the top of the sheet.
$2,500

Structural Iron -  PEARSON

Structural Iron
RALPH PEARSON
American, (1883-1958)
Etching, 1912-1913, edition unknown. 13 7/8 x 8 7/8 in. Signed in the plate and signed and titled in pencil. This is a fine, luminous impression in very good condition apart from slight toning within an earlier mat opening. The margins are full. This is plate #5 (of six) from Pearson's "Toilers of the City" series. This excellent series was based on his observations in Chicago during the early teens. The artist admired the work of Joseph Pennell and it shows, but Pearson, also the gifted etcher, was able to introduce a human presence into his city views which is lacking in the prints of Pennell. These early views of Chicago are not especially common and they are important precursors for the WPA era printmakers and their renditions of similar subjects. Pearson exhibited his prints at Marshall Field and Company in Chicago, among other places in the midwest. He also produced a series called "Picturesque Chicago" which is less well-known.
$800

Firemen -  PEARSON

Firemen
RALPH PEARSON
American, (1883-1958)
Etching, 1913, edition unknown. 11 7/8 x 7 7/8 in. Signed in the plate and signed in pencil, lower right. A fine impression in very good condition. The margins are full. This is plate No.6 from Pearson's celebrated "Toilers of the City" series. Based on his time in Chicago, these compelling prints are remarkable for their fine draughtsmanship and command of the medium. Prints of firemen are rare in 20th century American printmaking.
$750

Pages: < back [ 1 - 2 - 3 - 4 - 5 - 6 - 7 - 8 - 9 - 10 - 11 - 12 - 13 - 14 - 15 ] next >

top of page


William P. Carl Fine Prints

P.O. Box 14688, Durham, NC 27709
TEL: 919-294-8228 - CELL: (413) 221-2383

E-mail: WPCARL@aol.com