Recent Acquisitions

Pages: < back [ 1 - 2 - 3 ]

In the Sunlight (En Plein Soleil) -  TISSOT

In the Sunlight (En Plein Soleil)
JAMES TISSOT
French, (1836-1902)
Etching and drypoint, 1881, Wentworth 54, edition about 100. 11 3/4 x 7 7/8 in. Signed in pencil, lower left, and with the artist's red stamp (Lugt 1545) in the lower right. This is a fine impression on laid paper with full margins. The condition is very good apart from a skillfully repaired tear in the lower margin, well away from the image. This stellar print was included in "A Portfolio of Autograph Etchings" published by James R. Osgood & Co, Boston.
$4,000

Tropon -  VAN DE VELDE

Tropon
HENRY VAN DE VELDE
Belgian, (1863-1957)
Lithograph printed in colors, 1897 (printed 1898), edition 1100 from Pan, Volume 4, No.1. 12 1/4 x 8 in. Signed below the image with his name in printed text, as issued. This is a very good impression with full margins. The condition is very good apart from time toning to the outer edges of the sheet and a tiny blemish in the image near the bottom center. Printed by Leutert & Schneidewind, Dresden. Published by Genossenschaft Pan GmbH, Berlin. This captivating, iconic art nouveau image is a reduced version of the large poster van de Velde created of a rather mundane subject; an advertisement for the Tropon food supplement, a protein processed from eggs. After much research, it's been determined that the image depicts a machine which is shown separating the egg yolks (on top) from the whites (on the bottom).
$900

Musicians at the Bistro (Musiciens chez le Bistro) -  VILLON

Musicians at the Bistro (Musiciens chez le Bistro)
JACQUES VILLON
French, (1875-1963)
Etching, 1912, Ginestet & Pouillon 270 (v/V), edition 50. 10 1/2 x 9 in. Signed and numbered in pencil. This is a superb impression printed on ARCHES laid paper. The margins are full and the condition is fine. (There are two small specks of foxing in the right margin.) It was during this period, 1911-1913, when Villon developed his unique cubist style in etching and drypoint. This print is a fine example of his work during this important period.
$1,800

Street Singers -  WADSWORTH

Street Singers
EDWARD WADSWORTH
British, (1889-1949)
Woodcut printed in colors, 1914, Colnaghi 107, Greenwood W/D 10; from a very small edition. 5 5/8 x 4 1/2 in. Unsigned as usual. This is a superb impression of this extremely rare print. The margins are most likely full with the sheet measuring 7 x 5 3/8 in. The condition is fine other than for subtle pressure marks below the image which we've seen in another impression. This is the quintessential British Vorticist image and in the words of Cliff Ackley, "Brief as it was, Vorticism was the first radically modern, inherently abstract British art movement. Not until the 1930s, with the work of artists suck as Ben Nicholson and Henry Moore, would pure abstraction again take the lead." (See page 20 of Rhythms of Modern Life, British Prints 1914-1939 (2008). Wadsworth went to Munich in 1906 to study engineering and there he attended the Knirr School of Art and learned how to make woodcuts. When he returned to England he studied at the Slade School and Bradford School of Art and became friends with Roger Fry and Percy Wyndham Lewis. He contributed to the Vorticist manifesto "Blast" and exhibited in the 1915 Vorticist Group exhibition. This iconic work appears in several books on the subject of modern British printmaking. Provenance: Scolar Fine Art, London.
PRICE ON REQUEST

Deserted House -  WENGENROTH

Deserted House
STOW WENGENROTH
American, (1906-1977)
Lithograph, 1931, Stuckey 13, edition 54. 9 1/2 x 9 3/8 in. Signed in pencil, lower right. This is a superb impression of this early work. The margins are full and the condition is fine. This Hopperesque image was done in Eastport, Maine.
$750

Pages: < back [ 1 - 2 - 3 ]

top of page


William P. Carl Fine Prints

P.O. Box 14688, Durham, NC 27709
TEL: 919-294-8228 - CELL: (413) 221-2383

E-mail: WPCARL@aol.com