Recent Acquisitions

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Brooklyn Bridge -  RONNEBECK

Brooklyn Bridge
ARNOLD RONNEBECK
American, (1885-1947)
Lithograph, 1925, edition unknown. 12 1/2 x 6 5/8 in. Signed in pencil lower right. This is a fine impression printed on RIVES watermarked wove paper. The margins are full and the condition is excellent. This is one of Ronnebeck's finest prints. Ronnebeck was born in Germany and moved to New York in 1922. He was welcomed by the Stieglitz circle and described his modernist approach to lithography as "living cubism."
PRICE ON REQUEST

Colorado Gold Mine -  RONNEBECK

Colorado Gold Mine
ARNOLD RONNEBECK
American, (1885-1947)
Lithograph, 1933, edition 25 10 x 13 1/2 in. Signed, dated, titled and numbered in pencil. This is a fine impression with full margins. The condition is fine apart from faint rippling along the top margin. This is one of several Colorado mining related scenes done when the artist was living in Denver. 1933 was also the year he became an American citizen having been born in Germany.
$1,200

Eagle Dance (San Ildefonso Pueblo) -  RONNEBECK

Eagle Dance (San Ildefonso Pueblo)
ARNOLD RONNEBECK
American, (1885-1947)
Lithograph, 1931, edition 75. 13 x 9 in. Signed, dated, titled and numbered in pencil. Here we have a fine impression in fine condition. The margins are full. The artist did a number of southwestern prints. He spent time in Taos and Santa Fe and the vicinity during the 1920s.
$1,700

Grand Lake, Colorado -  RONNEBECK

Grand Lake, Colorado
ARNOLD RONNEBECK
American, (1885-1947)
Lithograph, 1932, edition 50. 12 3/4 x 8 1/4 in. Signed, dated, titled and numbered in pencil. This is a fine impression of this sailing subject produced in a modernist style. The margins are full and the condition is excellent.
$2,200

Corn Dance (Taos Pueblo) -  RONNEBECK

Corn Dance (Taos Pueblo)
ARNOLD RONNEBECK
American, (1885-1947)
Lithograph, 1931, edition not stated. 9 1/2 x 13 1/2 in. Signed and titled in pencil. This is a fine impression with full margins. The condition is excellent. This is one of the stellar images done by the artist while in the southwest. An impression is in the McNay Art Museum in San Antonio.
$2,800

Paramount, NY -  RONNEBECK

Paramount, NY
ARNOLD RONNEBECK
American, (1885-1947)
Lithograph, 1928, edition not stated. 12 x 7 1/4 in. Signed and titled in pencil. This is a superb impression of this stellar, modernist print. The margins are full and the condition is excellent. The scene is Broadway and Ronnebeck is able to capture the excitement of the moment. This outstanding print was made at a time when the artist was friendly with, Stieglitz, Hartley, Marin and Georgia O'Keefe. He was exhibiting with the Weyhe Gallery during this fruitful and productive period.
$5,500

Spring (Printemps) -  ROPS

Spring (Printemps)
FELICIEN ROPS
Belgian, (1833-1898)
Etching, 1882, Exsteens 357, Ramiro 170; edition unknown. 8 5/8 x 11 3/8 in. Signed and dated in the plate. Signed in colored pencil. This is a fine impression on cream wove paper. The margins are full and the condition is excellent. This plate was etched in Montlignon which is a town in northern France.
$750

Up the Line, Miss? -  SLOAN

Up the Line, Miss?
JOHN SLOAN
American, (1871- 1951)
Etching, 1930, Morse 243 (v/V), edition 100 (80 printed). 5 1/2 x 6 7/8 in. Signed in the plate, lower right. Signed, titled and numbered in pencil. This is a fine impression from the published state with full margins. (Tack holes show around the outer edge of the sheet from when the print was tacked on the wall to dry.) Two old hinges, top corners. Ex-collection Mrs. George A Martin (her initials, verso). This print was deaccessioned from the collection of Baldwin-Wallace College via auction in 2010.(We have their label from the old mat.)
$2,200

Bulldog Edition -  SPRUANCE

Bulldog Edition
BENTON SPRUANCE
American, (1904-1962)
Lithograph, 1932, Fine/Looney 76, edition 30. 8 7/8 x 14 1/2 in. Signed, dated and titled in pencil. This is a fine impression with full margins. The condition is excellent.
$6,000

Supplies for Suburbia -  SPRUANCE

Supplies for Suburbia
BENTON SPRUANCE
American, (1904-1962)
Lithograph , 1938, Fine/Looney 153, edition 30. 10 x 15 in. Initialed in the stone, lower right. Signed, dated, titled and numbered in pencil. This is a fine impression of this uncommon print with full margins. The condition is excellent.
SOLD

Changing City -  SPRUANCE

Changing City
BENTON SPRUANCE
American, (1904-1962)
Lithograph, 1934, Fine/Looney 93, edition 36. 9 3/4 x 14 5/8 in. Signed, dated, titled and numbered in pencil. This is a fine impression of this rare early modernist print. The margins are full and the condition is excellent.
$8,500

Self Portrait -  SPRUANCE

Self Portrait
BENTON SPRUANCE
American, (1904-1962)
Lithograph, 1932, Fine/Looney 74, edition 30. 12 3/8 x 9 1/2 in. Initialed on the stone, lower left. Signed, titled in numbered in pencil. Here we have a fine impression in fine condition. The margins are full.
$2,200

Portrait of the Artist as Model -  SPRUANCE

Portrait of the Artist as Model
BENTON SPRUANCE
American, (1904-1962)
Lithograph, 1942, Fine/Looney 204, edition 25. 11 1/2 x 14 in. Initialed on the stone, lower right. Signed, dated, titled and numbered in pencil. The compelling and elaborate image of the artist is rare today. This impression has full margins. The condition is very good apart from four old tape stains on each side, center. (They have been professionally treated to defer and further influx of acid and toning into the paper.)
$3,500

Landscape with Figures -  SPRUANCE

Landscape with Figures
BENTON SPRUANCE
American, (1904-1962)
Lithograph, 1940, Fine/Looney 179, edition 30. 10 x 13 3/8 in. Signed and dated on the stone (literally) lower right. Signed, titled and numbered in pencil. This is a fine impression of this beautifully drawn print. This somewhat divergent subject by Spruance reminds us of the regionalist tradition of Benton, Wood and others.
$2,500

Approach to the Station -  SPRUANCE

Approach to the Station
BENTON SPRUANCE
American, (1904-1962)
Lithograph, 1932, Fine/Looney 70, edition 28. 10 7/8 x 13 3/4 in. Initialed on the stone, lower right. Signed, titled, numbered and next to that, "imp. Theo Cuno." This is a superb impression in fine condition with full margins. George Bellows was a major inspiration for Spruance throughout his career, most notably in the early work from the 1930s and 1940s.
PRICE ON REQUEST

Prelude to Rest -  SPRUANCE

Prelude to Rest
BENTON SPRUANCE
American, (1904-1962)
Lithograph, 1935, Fine/Looney 109, edition 32. 9 x 13 1/4 in. Signed, titled and numbered in pencil. this is a fine impression of this stellar, early work. The margins are full and the condition is fine.
SOLD

Cat and Busybody -  SPRUANCE

Cat and Busybody
BENTON SPRUANCE
American, (1904-1962)
Lithograph, 1933, Fine/Looney 85, edition 33. 11 x 13 3/8 in. Initialed and dated on the stone, lower right. Signed, numbered and titled in pencil. This is a fine impression of this uncommon print. The margins are full. The condition is fine apart from some handling creases in the wide margins and stray printers ink in upper right margin.
$2,800

Forest Pond (Bosvijver) -  VAN GELDER

Forest Pond (Bosvijver)
DIRK VAN GELDER
Dutch, (1907-1990)
Etching, 1929, Adam, Eliens, van den Noort-van Gelder, L58, small edition. 7 5/8 x 6 1/2 in. Initialed and dated in the plate, lower left. Signed and titled in pencil. THis is a superb impression printed on chine applique. The margins are full and the condition is fine. Van Gelder was a masterful draughtsman in the tradition of Seghers, Rembrandt, and Bresdin. In fact, he is the author of the catalogue raisonne of Bresdin's etchings which was published in 1976. The artist always maintained close ties to The Hague: His father was the founder of the Gemeentemuseum and Director there from 1912-1941. Furthermore, the artist taught at the city's Royal Academy of Art from 1952-1972 and he helped establish the Hague Etching Club in 1984.
$900

Greenwich Park -  WHISTLER

Greenwich Park
JAMES A. MCNEILL WHISTLER
American, (1834-1903)
Etching and drypoint, 1859, Glasgow catalogue 41 (iii/III), Kennedy 35 5 x 7 15/16 in. Signed in the plate, lower left. This is a fine, rich impression printed on thin, cream Japanese paper. The margins are full. This lovely landscape print is known in 38 impressions in the Glasgow catalogue. The sitters have not been indentified.
$2,500

Fertility -  WOOD

Fertility
GRANT WOOD
American, (1891-1942)
Lithograph, 1939, Cole 15, Johnson 14; edition 250. 9 x 11 3/4 in. Signed in pencil, lower right. This is a superb impression with full margins. The condition is flawless. This is one of Wood's finest prints and was printed by George Miller on RIVES paper.
$9,500

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William P. Carl Fine Prints

P.O. Box 14688, Durham, NC 27709
TEL: (919) 294-8228 - CELL: (413) 221-2383
E-mail: WPCARL@aol.com