Grimsel, Handegg
CUNO AMIET
Swiss, (1868-1961)
Lithograph, 1927, edition 300. 8 1/8 x 11 3/4 in. Initialed and dated on the stone and signed in pencil lower left. This is a fine impression in fine condition with full margins. This Swiss landscape is from Amiet's series called Schonheiten der Alpenstrassen. Other works from this series are currently available.
$550

Port de San Remo
ADOLPHE APPIAN
French, (1818-1898)
Etching, 1878, Curtis & Proute 52 (i/III). 14 x 17 7/8 in. Signed and dated in the plate and also signed in pencil. A fine, luminous impression of the very rare first state, before the plate was cut down. Wide margins. Very good condition apart from a repaired split in the lower right corner, just to the platemark. Signed impressions of Appian etchings are quite rare.
SOLD

Soleil Recercle No. 4 (Around the Sun No. 4)
JEAN (HANS) ARP
French, (1887-1966)
Woodcut printed in colors, circa 1962, Arntz 256, from the edition of 60 plus ten artist's proofs. 12 1/2 x 12 3/8 in. Signed and numbered in pencil. This is a fine impression with wide margins. The condition is very good apart from minor discoloration in the margins and very slight rippling in the margin edges. This work was printed at the studio of Fequet et Baudier, Paris, 1965. The series was published by Broder, Paris, 1966. A subsequent, unsigned edition was later published in an edition of 235.
$2,500

La Femme a la Pelerine
ALBERT BESNARD
French, (1849-1934)
Etching, drypoint and traces of roulette work, 1889, Delteil 86 (vi/VI), edition probably 75. 9 1/4 x 6 1/4 in. Signed in the plate and signed and dated in ink (with a dedication). A very fine impression. Full margins. Very good condition other than some toning to the sheet, verso.
$1,500

La Toilette
EMILE BOIZOT
French, (1897-1932)
Woodcut printed in colors, circa 1920, edition 160. 8 1/8 x 6 3/8 in. Signed in pencil. A fine impression in fine condition with full margins. This print was published by the Societe de la Gravure sur Bois Originale (Lugt 1140a).
SOLD

The Apse, Leon Cathedral, Spain (2nd plate)
MUIRHEAD BONE
Scottish, (1876-1953)
Drypoint, 1932, Dodgson 441 (x/X); 93 impressions this state, total edition 131. 14 x 9 5/8 in. Signed in the plate and in pencil. A superb impression with full margins. Fine condition. One of two prints published in the portfolio "Old Spain", 1936.
$1,200

Stockholm
MUIRHEAD BONE
Scottish, (1876-1953)
Drypoint, 1923, Dodgson 405, iii/V, edition 142. 9 x 11 5/8 in. Signed in the plate and in pencil. A superb impression with full margins. Printed with a light veil of tone throughout the image. One of Bone's masterful panoramic views combining all his talents as a draughtsman. Also included with the signed print from the edition is the original cancelled copper plate as well as an impression from the cancelled plate printed by the artist. Sold as a set only and they are each beautifully framed.
$6,500

Spanish Good Friday
MUIRHEAD BONE
Scottish, (1876-1953)
Drypoint, 1925, Dodgson 412 (160 impressions in 29 states). 12 5/8 x 8 1/16 in. Signed in the plate and signed in pencil. This is a superb, luminous impression of this iconic British print. The margins are full and the condition is fine. (There is just a very faint suggestion of mild time tone within a previous mat opening.) This impression is inscribed by Bone "very fine early impression" (LL margin); "very fine impression, M.B." (LR margin); and, "Property of Muirhead Bone, Grayflete, Ferry Hinksey, Oxford." Also in the top margin is his capital "B" indicating a preferred impression and also "MB" in his hand as well. Years ago we sold the cancelled plate for this print which is now in the University of Michigan Museum of Art.
$8,000

La Lettre
PIERRE BONNARD
French, (1867-1947)
Lithograph, 1925, Bouvet 98 (ii/II), edition 35 as published by Frapier, Paris. 9 1/2 x 11 3/4 in. Signed on the stone and signed in pencil lower right. A fine impression in fine condition. Full margins. With the Frapier blindstamp, lower right.
$5,500

Mainz, Germany
EMMA BORMANN
Austrian, (1887-1974)
Woodcut with added hand-coloring, 1920-30, edition unknown. 19 1/2 x 12 1/2 in. Signed and titled in pencil. A fine impression in fine condition. Full margins. Printed on a cream-colored Japanese paper.
$900

Rest on the Flight into Egypt
RODOLPHE BRESDIN
French, (1825-1885)
Etching, 1871, as published by Roten Galleries and printed by Emiliano Sorini in 1975, edition 243. 9 1/8 x 7 3/4 in. A fine impression as printed on steel-grey paper.With the original presentation wrapper.
SOLD

La Sainte Famille aux Cerfs
RODOLPHE BRESDIN
French, (1825-1885)
Etching, 1871, van Gelder 137, (ii/II), edition probably 25-50. 10 1/4 x 8 in. Initialed in the plate. A good impression on chine applique from a posthumous edition. With the Bresdin blindstamp, lower right, recto. (Lugt 2194). Full margins. Fine condition. Early, lifetime impressions of Bresdin prints are quite rare.
$950

The Cabstand ('Une Matinee d'Hiver au quai de l'Hotel Dieu')
FELIX BUHOT
French, (1847-1898)
Etching, drypoint and roulette, 1876, Bourcard-Goodfriend 123 (v/XV). Signed in the plate. A fine impression of this published state. Printed on chine applique.
$2,000

La Place Pigalle in 1878
FELIX BUHOT
French, (1847-1898)
Etching, aquatint and drypoint, 1878, Bourcard-Goodfriend 129, (vi/VI), edition unknown. 9 1/2 x 13 1/8 in. Signed in pencil by the artist and with the following notations in his hand, "epreuve d'artiste" and "Etat non termine." There is also a pencil dedication. This is a very fine impression with substantial margins. The condition is very good other than a slight darkening in the outer margins from a previous mat. A major work.
$5,500

La Promenade
FELIX BUHOT
French, (1847-1898)
Etching with aquatint, 1874, Bourcard / Goodfriend 44, (i/II). 3 3/4 x 4 1/2 in. Unsigned. This is a fine impression of an uncommon, early work. The margins are wide and probably full. The condition is excellent.
$600