Adirondack Cabin
Lithograph, 1946, Burne-Jones/Rightmire 140, edition 100. 9 1/2 x 12 1/2 in. Signed in pencil, lower right. This is a fine impression in fine condition. The margins are full. This print was published by the Print Club of Rochester and the edition was printed by George Miller. Adirondack Cabin is more of a landscape than a figure study which is the opposite of what we expect to see. In 1928, Kent and his wife established a permanent home in the Adirondacks.
SOLD

Good-Bye Day
Lithograph, 1946, Burne Jones/Rightmire 139, edition 150. 13 3/4 x 9 3/4 in. Signed and titled in pencil. This is a fine impression in fine condition with full margins. This work was printed by George Miller for the Print Club of Albany. An alternate title of "The Water Carrier" sometimes appears on this print. Seven impressions are cited in the raisonné in museum collections.
SOLD

Memory
Lithograph printed with two stones; black and grey, 1928, Burne Jones/Rightmire 28; edition 100. 14 1/2 x 19 1/8 in. Signed and titled in pencil. This is a fine, luminous impression printed on FRANCE watermarked paper with full margins. The condition is fine. This large and ambitious work was printed by George Miller in New York. A finished drawing is in the Kent Collection at Columbia.
SOLD

Nightmare
Lithograph, 1941, Burne-Jones 123, edition 55. 11 x 8 in. Signed in pencil. A fine impression in fine condition with full margins. Watermark "ALL RAG." A rare print.
SOLD

Nightmare
Lithograph, 1941, Burne Jones / Rightmire 123, edition 55. 10 3/4 x 8 in. Signed and titled in pencil. This is a superb impression of this rare and powerful print. The margins are full with a partial watermark showing, "ALL RAG." The condition is fine. The original drawing is at the Kupferstitchkabinett Kunstmuseum in Basel, Switzerland. This lithograph is located in the Carnegie Museum of Art, the Columbia University Library, the Hermitage Museum, The Museum of Modern Art, the Library of Congress and the Philadelphia Museum of Art among others.
SOLD

Pasture Gate
Lithograph, 1928, Burne Jones / Rightmire 26, edition 110. 10 5/8 x 7 in. Signed in pencil. This is a fine impression with full margins. The condition is excellent. This print was published by Weyhe Gallery and printed by George Miller. It was based on a drawing of the artist's first wife, Kathleen Whiting Kent. Pasture Gate is listed in multiple museum collections.
$1,500

Revisitation
Lithograph, 1928, Burne Jones / Rightmire 22, edition 100. 8 1/2 x 13 3/4 in. Signed in pencil. This is a fine, rich impression printed on RIVES with full margins. The condition is fine apart from old hinges at the top corners. "This print demonstrates an interesting combination of crayon and tusche wash technique used to advantage in the sharp contrasts of early twilight, which lends a religiously mystical feeling to the work." (See Burne-Jones, pg 44.)
SOLD

Roof Tree
Lithograph, 1928, Burne-Jones / Rightmire 21, edition 100. 11 x 14 3/4 in. Signed in pencil. This is a fine, luminous impression with full margins. The condition is also fine. This large print depicts Kent's home in the Adirondacks known as Asgaard. Scholarship suggests the figure on the roof is Carl Zigrosser (1891-1975), the prominent dealer, print scholar and curator.
SOLD

The Clinic
Lithograph printed with a tint stone, 1934, Burne-Jones 109, edition unknown. 6 11/16 x 6 11/16 in. Signed in pencil and inscribed "Trial proof." A fine impression in fine condition. Printed on RIVES watermarked paper with a deckle all around. Registration marks showing on top and bottom, just above and just below the printed border. This is a color variation from the description in the catalogue with the border printed in light gray and the image printed in reddish brown.
SOLD

Weltschmertz
Lithograph, 1947, Burne Jones / Rightmire 141; edition 100. 13 3/4 x 19 1/2 in. Signed in pencil. Here we have a fine impression printed on wove paper. The margins are wide and the condition is fine. There are preliminary sketches and a tracing in the Kent collection at Columbia University. Weltschmertz translated from the German means "world weariness." It's about melancholy and pensive thoughts. Impressions are cited in five museum collections.
SOLD

Weltschmertz
Lithograph, 1947, Burne Jones/Rightmire 141, edition 100. 13 3/4 x 19 1/2 in. Signed and titled in pencil. This is a fine impression with wide and possibly the full margins. There are preliminary sketches and a tracing in the Kent collection at Columbia University. Weltschmertz translated from the German means "world weariness." It's about melancholy and pensive thoughts. Impressions are cited in five museum collections.
SOLD