Girl and Cat
BENTON SPRUANCE
American, (1904-1962)
Lithograph, 1935, Fine/Looney 121, edition 33. 10 3/8 x 13 5/8 in. Signed, titled and numbered in pencil. Here we have a fine impression with full margins. The condition is excellent. The edition was supposedly printed by Theodore Cuno. This is an uncommon print.
$3,500

Woman and Child
MAUD HUNT SQUIRE
American, (1873-1954)
Etching and aquatint printed in colors, 1907, from a very small edition. 4 3/4 x 3 1/2 in. Signed in pencil. Dated in pencil and inscribed "Paris." This is a fine impression printed on a wove paper. The margins are wide and appear to be untrimmed. Fine condition. Squire met Ethel Mars in Cincinnati and the couple went to Paris in 1903. They remained there together until the start of WW1. From there they went to Provincetown, MA and became active in the art scene there. The couple eventually returned to Paris and became great friends of Gertrude Stein and Alice B. Toklas. They remained in France for the rest of their lives.
ON HOLD

Sweet Peas 2
YOSHIJIRO URUSHIBARA
Japanese, (1880-1953)
Woodcut printed in colors, circa 1913, Chapman/Horner F41, edition probably 83. 12 x 7 7/8 in. Signed in the block with the artist's seal. Signed in pencil. This is a superb impression with rich colors. The margins are full and the condition is fine. This is one of many exemplary floral woodcuts done by Urushibara. Color variations exist of this print. Ex-collection: the artist's estate via Ichiro Urushibara, the artist's son. The artist rarely dated his prints.
$1,500

Old Dutch Towns on the Zuiderzee (Oude Hollandsche Steden aan de Zuiderzee)
JACOBUS G. VELDHEER
Dutch, (1866-1954)
Woodcut, 1900, Braches 971109; one of a few proofs. 9 7/8 x 7 in. Initialed in the block, lower left. This is a superb impression with full margins. The condition is fine apart from a subtle stain in the lower right margin. This wonderful Dutch art nouveau woodcut is the cover design for the book of the same title. It was published in Haarlem by Erven F. Bohn, 1900. Veldheer was a masterful woodblock artist who spent considerable time in France and was influenced by Japanese prints as well as by Paris art dealer, Samuel Bing.
$850

Old Birch Tree (Oude Berk)
HENK (HENDRIK) VOSKUYL
Dutch, (1893-1980)
Lithograph, 1930, edition unknown. 19 1/2 x 14 1/8 in. Initialed and dated in the lower left corner. Signed and titled in pencil. This is a fine, rich impression printed on a light cream wove paper. The margins are full. The condition is fine. Voskuyl lived and worked in the Hague where he was a member of the Pulchri Studio. He was a remarkable draughtsman as well as a painter. His work is found in the Museum Boijmans van Beuningen and the Rijksmuseum.
$800

Brooklyn Bridge in Winter
STOW WENGENROTH
American, (1906-1977)
Lithograph, 1959, Stuckey 255, edition 60. 10 1/2 x 15 7/8 in. Signed and numbered in pencil. This is a superb impression of this iconic American print. The margins are full and the condition is excellent. This print is located in multiple museum collections including the Smithsonian American Art Museum.
SOLD

Roadside Garden
STOW WENGENROTH
American, (1906-1977)
Lithograph, 1965, Stuckey 298, edition 50. 10 7/8 x 15 7/8 in. Signed and numbered in pencil. This is a fine impression with full margins. The condition is excellent. This beautiful print was done in Port Clyde, Maine.
$1,200

Maine Evening
STOW WENGENROTH
American, (1906-1977)
Lithograph, 1945, Stuckey 147, edition 65. 11 1/2 x 16 5/8in. Signed and numbered in pencil. This is a fine impression with full margins. The condition is excellent. (The print is titled in ink at the lower margin edge, apparently by the artist.) The view depicted here is Port Clyde, Maine.
$1,000

Miller's Wharf
STOW WENGENROTH
American, (1906-1977)
Lithograph, 1931, Stuckey 16, edition 54. 15 3/4 x 11 1/4 in. Signed in pencil. This is a fine impression of this large, early work. The margins are full. The condition is fine apart from a slight suggestion of toning along the extreme right edge of the sheet, mainly verso, and along the extreme top edge, verso. This nicely designed print conveys some of the geometric thinking of Louis Lozowick. The scene depicted is Eastport, Maine.
$1,200

Coast of Maine
STOW WENGENROTH
American, (1906-1977)
Lithograph, 1957, Stuckey 237, edition 55. 9 7/8 x 15 3/8 in. Signed in pencil and inscribed, "artist's proof". This is a very fine impression with full margins. The condition is fine. The exceptional print was done in Port Clyde, Maine. It shows Marshall's Point Light.
$1,400

Ruffed Grouse
STOW WENGENROTH
American, (1906-1977)
Lithograph, 1942, Stuckey 117, edition 60. 11 3/8 x 17 in. Signed and numbered in pencil. The print is also signed with the collector's mark of Edith Wengenroth, the artist's wife. This is a fine impression with full margins. The condition is excellent.
$1,400

Northern Coast
STOW WENGENROTH
American, (1906-1977)
Lithograph, 1937, Stuckey 63, edition 65. 9 7/8 x 16 in. Signed and numbered in pencil. This is a fine impression with full margins. The condition is also fine. The location for this dramatic print is Rockport, MA.
$850

Cottage Window
STOW WENGENROTH
American, (1906-1977)
Lithograph, 1970, Stuckey 334, edition 50. 15 1/4 x 11 3/8 in. Signed and numbered in pencil. This is a fine impression of this large, lovely print. The margins are full and the condition is excellent. The location for this work was Greenport, New York, which is an historic village on the north fork of Long Island.
$1,000

Victorian Era
STOW WENGENROTH
American, (1906-1977)
Lithograph, 1947, Stuckey 167, edition 50. 12 7/8 x 9 5/8 in. Signed and numbered in pencil. This is a fine, rich impression of this stellar print. The margins are full and the condition is fine. The location for this print is Noank, CT. Noank is a village in the town of Groton.
$1,100

Housewife's Garden
STOW WENGENROTH
American, (1906-1977)
Lithograph, 1931, Stuckey 9, edition 54. 9 5/8 x 12 1/8 in. Signed in pencil. Here we have a fine, luminous impression of this rare, early work. The margins are full and the condition is excellent. Like so much of his early work, Eastport, ME is the location he chose for inspiration.
$800

Fog
STOW WENGENROTH
American, (1906-1977)
Lithograph, 1942, Stuckey 114, edition only 20. 8 1/4 x 15 1/4 in. Signed and numbered in pencil. This is a fine impression with full margins. The condition is excellent. This impression bears the Edith Wengenroth collectors mark; a lighthouse with her initials. This rare print was done in Castine, ME. Note: this work was printed with two stones, one being a tint stone. The catalogue lists an edition of 20 but this impression says "ed 22."
$1,100

The Lime-Burner
JAMES A. MCNEILL WHISTLER
American, (1834-1903)
Etching and drypoint, 1859, Glasgow 55 (ii/III), Kennedy 46 (ii/II); Glasgow mentions 103 impressions taken from the plate. 9 7/8 x 6 7/8 in. Signed and dated in the plate, lower right. This is an exceptionally fine impression printed with carefully articulated plate tone. The paper is an antique laid with a hard to determine watermark. The margins are full and the condition is fine. This exceptional early work was published in the Thames Set in 1871. The Lime-Burner was quite popular among collectors at the time it was published and continues to be popular today. The plate was acquired by Charles Lang Freer in 1896 and bequeathed to the Freer Gallery of Art.
$9,500

Sunrise (also called Seiners)
WILLIAM ZORACH
American, (1887-1966)
Linoleum cut, 1915-16, Burk Appendix II (PCQ, December 2002, pg. 372); small edition. 11 5/8 x 8 1/2 in. Signed in pencil. This is a superb, richly inked impression with full margins. The condition is fine apart occasional soft wrinkles here and there in the margins only. Burk writes about this major print in his PCQ article, "A sense of other-wordly communion is conveyed in this work, with the boat illuminated by the rising sun, which levitates magically over the water and casts a dark shadow on its surface. The vessel is surrounded by a myraid of of fish swimming in oval patterns." Provenance: Hirschl & Adler Galleries, NY.
$9,000