Berkshire Night
Etching and aquatint, 1945, Giardina 203 (ii/II), edition about 100. 10 3/8 x 14 3/4 in. Signed in pencil, lower right. This is a fine impression in very good condition. The margins are slightly trimmed and there's a faint suggestion of a subtle stain in the sky, upper left. This exemplary work depicts a scene in western Massachusetts.
SOLD

Cow Shed
Etching, aquatint and sandpaper ground, 1946, Giardina 211, edition 100. 9 5/8 x 15 1/8 in. Signed in pencil. This is a fine impression with wide margins. the condition is fine apart from a soft wrinkle in the lower left margin. The scene depicted is in either Maine or Connecticut. This well crafted work was one of Eby's last prints.
SOLD

Day's End, Driftway
Etching and aquatint, 1939, Giardina 196 (iii/III), edition about 100. 8 1/2 x 15 3/8 in. Signed and numbered in pencil. This is a fine, atmospheric impression printed on cream laid paper. The margins are full. The condition is very good other than for a subtle, small area of discoloration at the platemark, upper left, and a subtle, small wrinkle in the image, lower left corner. This etching depicts the artist's home in Westport, Ct.
$800

Hatchet Cove
Etching, aquatint and sandpaper ground, 1937, Giardina 194, edition 100. 9 x 13 7/8 in. Signed in pencil. Here we have a fine impression with full margins. The condition is excellent. The scene depicted is near Friendship, ME. Nine impressions are cited in museum collections.
$850

Light in the Woods
Etching and aquatint, 1931, Giardina 161 (iii/III); edition 100. 14 3/8 x 9 3/8 in. Signed in pencil. This is a fine, dramatically inked impression with full margins. The condition is also fine. This well done print effectively conveys the deep woods at night. Camping scenes are uncommon in American fine prints from this 1900-1950 era.
SOLD