Evening
Lithograph, 1928, Winnan 62, edition 100. 8 x 11 7/8 in. Signed and dated in pencil. This is a fine, rich impression with full margins. The condition is excellent. The edition was printed by George Miller in New York and nineteen impressions are located in museum collections. This print is illustrated and discussed in Paths to the Press, Printmaking and American Women Artists, 1910-1960, by Elizabeth Seaton, et al. (2006), pages 130-131.
SOLD

Fireplace
Lithograph, 1930, Winnan 79, edition 100. 10 7/8 x 8 1/2 in. Signed and dated in pencil. This is a fine impression with full margins. The condition is also fine. The edition was printed on a zinc plate by George Miller in New York. The scene is a country home in West Cornwall, Ct.
SOLD

Grandma's Parlor
Lithograph, 1930, Winnan 78, edition 100. 10 1/2 x 13 in. Signed and dated in pencil. This is a fine impression in very good condition. The margins are full. (Some discoloration in the margins and a repair in the lower margin well away from the image.) The raisonne lists more than ten museums as owners of this work.
SOLD

Gumbo Lane
Lithograph, 1927, Winnan 36, intended edition of 100 (50 printed by George Miller). 10 x 12 3/4 in. Initialed "w" on the stone, lower left. Signed in pencil. This is a superb impression with full margins. The condition is excellent. "This slightly surreal scene captures Wanda Gág’s rapture over the garden at her rural retreat Tumble Timbers. She nicknamed the garden Gumbo Lane. It produced nothing more exotic than lima beans and Swiss chard, but to Gág it was something primal and passionately alive. The plants sprout eyes, the wooden posts rear up like snakes, and the grape arbor appears ready to charge. The little building at upper right was the outhouse for Tumble Timbers..." (Tumble Timbers was located in rural Glen Gardner, New Jersey.) The above quotation is from the entry for this print on the Mineapolis Institute of Art's website. It was written by Marla Kinney. This outstanding print was selected as one of the Fifty Prints of the Year by the American Institute of Graphic Arts.
SOLD

Moonlight
Lithograph, 1926, Winnan 26, edition 60. 14 x 16 7/8 in. Signed and dated in pencil. This is a superb, rich impression with full margins. The condition is fine apart from some wrinkles in the upper left corner margin outside of the image. The edition was printed by George Miller from a zinc plate and ten impressions are listed in museum collections. This large, poetic work is a dramatic study in darks and lights and shows the artist as a master of lithography.
SOLD

Spring in the Garden (Spring II)
Lithograph, 1927, Winnan 38, edition 100. 10 x 13 in. Signed in pencil. This is a fine impression with full margins. The sheet has a deckle edge on all sides. The condition is fine. This stellar print is illustrated on the cover of the catalogue raisonné by Audur H. Winnan. The edition was printed on a zinc plate by George Miller in New York. Fifteen impressions are cited in museum collections.
SOLD

The Forge
Lithograph, 1932, Winnan 96 (ii/II), edition 100. 11 1/2 x 13 3/4 in. Signed and dated in pencil. this is a fine impression with full margins. The condition is also fine. The edition was printed on a zinc plate by George Miller in New York. Sixteen impressions are cited in museum collections. The scene for this print is a Blacksmith's shop in Carversville, PA.
$2,500

Uncle Frank's Workshop
Lithograph, 1935, Winnan 106, edition 50. 13 x 9 in. Signed and dated in pencil. This is a fine impression with full margins. The condition is also fine. The edition was printed on a zinc plate by George Miller in New York. A preliminary drawing is in the collection of the Philadelphia Museum of Art.
$1,400

Winter Twilight
Lithograph, 1927, Winnan 39, edition 100. 10 x 12 5/8 in. Signed on the stone, lower left. Signed in pencil. This is a fine impression of this outstanding print. The margins are full and the condition is fine. The edition was printed by George Miller on a zinc plate. Nine impressions are cited in museum collections.
SOLD