Dans la Tour (In the Tower)
Lithograph printed in colors, 1888-1902, Fields, pp. 77-78, edition 500. 6 3/4 x 8 3/8 in. Signed on the stone with the monogram, lower left. This is a fine, atmospheric impression with full margins. The condition is excellent. This Buhotesque image is plate 25 from the series Les Trente-Six Vues de la Tour Eiffel.
SOLD

De l'Estacade (From the Estacade Footbridge)
Lithograph printed in colors, 1888-1902, Fields, pp. 77-78, edition 500. 6 3/4 x 8 3/8 in. Signed on the stone with the monogram. This is a fine impression in fine condition. The margins are full. This is plate 33 from Les Trentes-Six Vues de la Tour Eiffel, as printed by Eugene Verneau. This remarkable series is considered by many to be Riviere's best work in lithography.
SOLD

De l'ile des Cygnes (From the Île des Cygnes)
Lithograph printed in colors, 1888-1902, Fields, pp. 77-78, edition 500. 6 3/4 x 8 3/8 in. Signed on the stone with the monogram. This is a fine impression in fine condition. The margins are full. This is plate 24 from Riviere's famous set of the Thirty-six views of the Eiffel Tower. The set was printed by Eugene Verneau.
SOLD

De la Gare du Bas-Meudon (From the Station at Bas-Meudon)
Lithograph printed in colors, 1888-1902, Fields, pp. 77-78, edition 500. 6 3/4 x 8 3/8 in. Signed on the stone with the monogram. This is a fine impression in fine condition. The margins are full. This is plate 32 from Riviere's famous set of the Thirty-six views of the Eiffel Tower. The set was printed by Eugene Verneau.
SOLD

De la Rue Lamark (From the Rue Lamarck)
Lithograph printed in colors, 1888-1902, Fields, pp. 77-78, edition 500. 6 5/8 x 8 3/8 in. Signed on the stone with the monogram, lower left. This is a fine, atmospheric impression with full margins. The condition is excellent. This Buhotesque image is plate 14 from the series Les Trente-Six Vues de la Tour Eiffel.
SOLD

De la Rue Rochechouart
Lithograph printed in colors, 1888-1902, Fields, pg. 77, edition 500. 8 3/8 x 6 5/8 in. Signed on the stone with the artist's monogram. This is a fine impression in fine condition with full margins. This is plate 15 from Les Trentes-six Vues de la Tour Eiffel, printed by Verneau. The florets, stamps and marks were designed by George Auriol.
SOLD

Des Jardins du Trocadéro, l'automne (From the Gardens of the Trocadéro, Autumn)
Lithograph printed in colors, 1888-1902, Fields, pp. 77-78, edition 500. 6 3/4 x 8 1/4 in. Signed on the stone with the monogram. This is a fine impression in fine condition. The margins are full. This is plate 34 from Riviere's famous set of the Thirty-six views of the Eiffel Tower. The set was printed by Eugene Verneau.
SOLD

Des Jardins Maraichers de Grenelle (From the Vegetable Gardens at Grenelle)
Lithograph printed in colors, 1888-1902, Fields, pg. 77, edition 500. 6 3/4 x 8 1/4 in. Signed on the stone with the red monogram. This is a fine impression in fine condition. The margins are full. This is plate 6 from Riviere's series, Les Trentes-six Vues de la Tour Eiffel. The set was printed by Eugene Verneau, Paris.
SOLD

Du Bas-Meudon, Vieux Lavoir (From Bas-Meudon, Old Washhouse)
Lithograph printed in colors, 1888-1902, Fields, pp. 77-78, edition 500. 6 3/4 x 8 3/8 in. Signed on the stone with the monogram. This is a fine impression in fine condition. The margins are full. This is plate 29 from Riviere's famous set of the Thirty-six views of the Eiffel Tower. The set was printed by Eugene Verneau.
SOLD

Du Bois de Boulogne (From the Bois de Boulogne)
Lithograph printed in colors, 1888-1902, Fields, pp. 77-78, edition 500. 6 3/4 x 8 3/8 in. Signed on the stone with the monogram. This is a fine impression in fine condition. The margins are full. This is plate 22 from Les Trentes-Six Vues de la Tour Eiffel, as printed by Eugene Verneau. This remarkable series is considered by many to be Riviere's best work in lithography.
$700

Du Boulavard de Clichy (From the Boulevard de Clichy)
Lithograph printed in colors, 1888-1902, Fields, pp. 77-78, edition 500. 6 3/4 X 8 3/8 IN. Signed on the stone with the red monogram. This is a fine impression in fine condition. The margins are full. This is plate 10 from Riviere's series, Les Trentes-six Vues de la Tour Eiffel. The set was printed by Eugene Verneau, Paris.
SOLD

Du Pont des Saints Pères (From the Pont des Saints-Pères)
Lithograph printed in colors, 1888-1902, Fields, pp. 77-78, edition 500. 8 3/8 x 6 3/4 in. Signed on the stone with the monogram. This is a fine impression in fine condition. The margins are full. This is plate 7 from Riviere's famous set of the Thirty-six views of the Eiffel Tower. The set was printed by Eugene Verneau.
SOLD

Du Quai de Grenelle (From the Quai de Grenelle)
Lithograph printed in colors, 1888-1902, Fields, pp. 77-78, edition 500. 6 5/8 x 8 3/8 in. Signed on the stone with the artist's red monogram. This is a fine impression in fine condition. The margins are full. This is plate 18 from the celebrated series Les Trentes-Six Vues de la Tour Eiffel. Certainly, the influence of Hokusai and his Thirty-Six Views of Mount Fuji cannot be understated.
$850

Du Quai de Javel (From the Quai de Javel, Switchman's Hut)
Lithograph printed in colors, 1888-1902, Fields, pp. 77-78, edition 500. 6 3/4 x 8 3/8 in. Signed on the stone with the monogram. This is a fine impression with full margins. The condition is excellent. This is plate 28 from the series Les Trente-Six Vues de la Tour Eiffel.
$800

Du Quai de Passy
Lithograph printed in colors, 1888-1902, Fields, pg 77, edition 500. 6 3/4 x 8 3/8 in. Signed on the stone with the artist's red monogram. This is a fine impression in fine condition. The margins are full. This is plate 13 from Riviere's Thirty-six views of the Eiffel Tower which he worked on between 1888-1902. The set was modeled after Hokusai's Thirty-Six Views of Mt. Fuji.
SOLD

Du Quai de Passy (From the Quai de Passy, on a Rainy Day)
Lithograph printed in colors, 1888-1902, Fields, pp. 77-78, edition 500. 6 3/4 x 8 3/8 in. Signed on the stone with the artist's red monogram. This is a fine impression in fine condition. The margins are full. This is plate 16 from the celebrated series Les Trentes-Six Vues de la Tour Eiffel. Certainly, the influence of Hokusai and his Thirty-Six Views of Mount Fuji cannot be understated.
SOLD

En Haut de la Tour (At the Top of the Tower)
Lithograph, 1888-1902, Fields, pp. 77-78, edition 500. 6 3/8 x 8 3/8 in. Signed on the stone with the monogram. This is a fine impression in fine condition. The margins are full. This is plate 4 from Les Trentes-Six Vues de la Tour Eiffel, as printed by Eugene Verneau.
SOLD

Fête sur la Seine, le 14 Juillet (Festivities on the Seine, July 14)
Lithograph printed in colors, 1888-1902, Fields, pp. 77-78, edition 500. 8 1/4 x 6 5/8 in. Signed on the stone with the monogram. This is a fine impression with full margins. The condition is excellent. This is plate 12 from the series Thirty-Six Views of the Eiffel Tower which was printed by Eugene Verneau. This series is considered by many to be Riviere's best work in lithography.
SOLD

Frontispiece
Lithograph printed in colors, 1888-1902, Fields, pp. 77-78, edition 500. 6 5/8 x 8 3/8 in. Signed on the stone with the monogram. This is a fine impression in fine condition. The margins are full. This is plate 1 from Les Trentes-Six Vues de la Tour Eiffel, as printed by Eugene Verneau. This remarkable series is considered by many to be Riviere's best work in lithography.
SOLD

Le Trieux à Kermaire
Lithograph printed in colors, 1912, Fields pg. 79, edition 500. 9 x 13 7/8 in. Signed on the stone, lower right. This is a very fine impression with full margins. The condition is fine apart from a suggestion of toning in the extreme outer edges of the margins. This is plate 15 from the series, "Le Beau Pays de Bretagne," printed and published by Eugène Verneau, Paris. There were 500 unsigned impressions and 100 signed impressions.
$1,500

Ouvrier Plombier dans la Tour (A Worker in the Tower)
Lithograph printed in colors, 1888-1902, Fields, pp. 77-78, edition 500. 8 3/8 x 6 3/4 in. Signed on the stone with the monogram. This is a fine impression in fine condition. The margins are full. This is plate 30 from Les Trentes-Six Vues de la Tour Eiffel, as printed by Eugene Verneau. This remarkable series is considered by many to be Riviere's best work in lithography.
SOLD

Rue Beethoven
Lithograph printed in colors, 1888-1902, Fields, pp. 77-78, edition 500. 8 3/8 x 6 5/8 in. Signed on the stone with the artist's monogram. This is a fine impression in fine condition with full margins. This is plate 5 from Les Trentes-six Vues de la Tour Eiffel, printed by Verneau. The florets, stamps and marks were designed by George Auriol.
SOLD

The Beech Woods at Kerzardern (Le Bois de Hetres à Kerzardern)
Lithograph printed in colors, 1917, Fields pg. 80; edition 500 unsigned and 100 signed impressions. 9 1/8 x 14 1/8 in. Signed on the stone, lower left, and also with the artist's printed monogram in red. Here we have a superb impression with fresh colors. The margins are full and the condition is fine. This is plate 20 from the series "Le Beau Pays de Bretagne," printed and published by Eugène Verneau, Paris. Based on the dates given by Fields, this would be the last print made by Riviere.
$1,500

The Island of Bréhat (L'ile de Bréhat)
Lithograph printed in colors, 1913, Fields pg. 79; edition 500 unsigned and 100 signed impressions. 9 x 13 7/8 in. Signed on the stone, lower right, along with the printed red artist's monogram. This is a superb impression with full margins. The condition is fine. This is plate 16 from the series, "Le Beau Pays de Bretagne," printed and published by Eugène Verneau, Paris.
$1,500

The Old Mill at Loguivy
Lithograph printed in colors, 1910, Fields, pg. 79; edition 500 unsigned and 100 signed impressions. 9 x 14 in. Signed on the stone, lower right and also signed with the artist's printed red monogram. this is a superb impression with full margins. The condition is fine. This is plate 13 from the series, "Le Beau Pays de Bretagne," printed and published by Eugène Verneau, Paris.
$1,500