|
 |
Dans la Tour (In the Tower) Lithograph printed in colors, 1888-1902, Fields, pp. 77-78, edition 500. 6 3/4 x 8 3/8 in. Signed on the stone with the monogram, lower left. This is a fine, atmospheric impression with full margins. The condition is excellent. This Buhotesque image is plate 25 from the series Les Trente-Six Vues de la Tour Eiffel. SOLD |
|
 |
De l'Estacade (From the Estacade Footbridge) Lithograph printed in colors, 1888-1902, Fields, pp. 77-78, edition 500. 6 3/4 x 8 3/8 in. Signed on the stone with the monogram. This is a fine impression in fine condition. The margins are full. This is plate 33 from Les Trentes-Six Vues de la Tour Eiffel, as printed by Eugene Verneau. This remarkable series is considered by many to be Riviere's best work in lithography. $800 |
|
 |
De l'ile des Cygnes (From the Île des Cygnes) Lithograph printed in colors, 1888-1902, Fields, pp. 77-78, edition 500. 6 3/4 x 8 3/8 in. Signed on the stone with the monogram. This is a fine impression in fine condition. The margins are full. This is plate 24 from Riviere's famous set of the Thirty-six views of the Eiffel Tower. The set was printed by Eugene Verneau. SOLD |
|
 |
De la Gare du Bas-Meudon (From the Station at Bas-Meudon) Lithograph printed in colors, 1888-1902, Fields, pp. 77-78, edition 500. 6 3/4 x 8 3/8 in. Signed on the stone with the monogram. This is a fine impression in fine condition. The margins are full. This is plate 32 from Riviere's famous set of the Thirty-six views of the Eiffel Tower. The set was printed by Eugene Verneau. SOLD |
|
 |
De la Place de la Concorde Lithograph printed in colors, 1888-1902, Fields, pg. 77, edition 500. 6 3/4 x 8 3/8 in. Signed on the stone with the monogram. This is a fine impression in fine condition. The margins are full. This is plate 23 from Les Trentes-Six Vues de la Tour Eiffel, as printed by Eugene Verneau. This remarkable series is considered by many to be Riviere's best work in lithography. SOLD |
|
 |
De la Rue des Abbesses Lithograph printed in colors, 1888-1902, Fields, pg. 77, edition 500. 6 3/4 x 8 3/8 in. Signed on the stone with the artist's red monogram. This is a fine impression in fine condition. The margins are full. This is plate 19 from the celebrated series Les Trentes-Six Vues de la Tour Eiffel. Certainly, the influence of Hokusai and his Thirty-Six Views of Mount Fuji cannot be understated. SOLD |
|
 |
De la Rue Lamark (From the Rue Lamarck) Lithograph printed in colors, 1888-1902, Fields, pp. 77-78, edition 500. 6 5/8 x 8 3/8 in. Signed on the stone with the monogram, lower left. This is a fine, atmospheric impression with full margins. The condition is excellent. This Buhotesque image is plate 14 from the series Les Trente-Six Vues de la Tour Eiffel. SOLD |
|
 |
De la Rue Rochechouart Lithograph printed in colors, 1888-1902, Fields, pg. 77, edition 500. 8 3/8 x 6 5/8 in. Signed on the stone with the artist's monogram.
This is a fine impression in fine condition with full margins. This is plate 15 from Les Trentes-six Vues de la Tour Eiffel, printed by Verneau. The florets, stamps and marks were designed by George Auriol. SOLD |
|
 |
De Notre-Dame Lithograph printed in colors, 1888-1902, Fields, pg. 77, edition 500. 8 3/8 x 6 5/8 in. Signed on the stone with the monogram. This is a fine impression in fine condition. The margins are full. This is plate 9 from Riviere's famous set of the Thirty-six views of the Eiffel Tower. The set was printed by Eugene Verneau. SOLD |
|
 |
Derrière l'élan de Fremiet (From Behind Fremiet's Elk) Trocadero Lithograph printed in colors, 1888-1902, Fields, pg. 77, edition 500. 8 3/8 x 6 5/8 in. Signed on the stone with the red monogram. This is a fine impression in fine condition. The margins are full. This is plate 27 from the celebrated series, Les Trentes-six Vues de la Tour Eiffel as printed by Eugene Verneau. The sculptor is Emmanuel Fremiet (1824-1910). SOLD |
|
 |
Des Jardins du Trocadéro, l'automne (From the Gardens of the Trocadéro, Autumn) Lithograph printed in colors, 1888-1902, Fields, pp. 77-78, edition 500. 6 3/4 x 8 1/4 in. Signed on the stone with the monogram. This is a fine impression in fine condition. The margins are full. This is plate 34 from Riviere's famous set of the Thirty-six views of the Eiffel Tower. The set was printed by Eugene Verneau. SOLD |
|
 |
Des Jardins Maraichers de Grenelle (From the Vegetable Gardens at Grenelle) Lithograph printed in colors, 1888-1902, Fields, pg. 77, edition 500. 6 3/4 x 8 1/4 in. Signed on the stone with the red monogram. This is a fine impression in fine condition. The margins are full. This is plate 6 from Riviere's series, Les Trentes-six Vues de la Tour Eiffel. The set was printed by Eugene Verneau, Paris. SOLD |
|
 |
Du Bas-Meudon, Vieux Lavoir (From Bas-Meudon, Old Washhouse) Lithograph printed in colors, 1888-1902, Fields, pp. 77-78, edition 500. 6 3/4 x 8 3/8 in. Signed on the stone with the monogram. This is a fine impression in fine condition. The margins are full. This is plate 29 from Riviere's famous set of the Thirty-six views of the Eiffel Tower. The set was printed by Eugene Verneau. SOLD |
|
 |
Du Bois de Boulogne (From the Bois de Boulogne) Lithograph printed in colors, 1888-1902, Fields, pp. 77-78, edition 500. 6 3/4 x 8 3/8 in. Signed on the stone with the monogram. This is a fine impression in fine condition. The margins are full. This is plate 22 from Les Trentes-Six Vues de la Tour Eiffel, as printed by Eugene Verneau. This remarkable series is considered by many to be Riviere's best work in lithography. $700 |
|
 |
Du Boulavard de Clichy (From the Boulevard de Clichy) Lithograph printed in colors, 1888-1902, Fields, pp. 77-78, edition 500. 6 3/4 X 8 3/8 IN. Signed on the stone with the red monogram. This is a fine impression in fine condition. The margins are full. This is plate 10 from Riviere's series, Les Trentes-six Vues de la Tour Eiffel. The set was printed by Eugene Verneau, Paris. SOLD |
|
 |
Du Point-du-Jour Lithograph printed in colors, 1888-1902, Fields, pg. 77, edition 500. 6 3/4 x 8 3/8 in. Signed on the stone with the monogram. This is a fine impression with full margins. The condition is excellent. This is plate 11 from the series Thirty-Six Views of the Eiffel Tower which was printed by Eugene Verneau. This series is considered by many to be Riviere's best work in lithography. SOLD |
|
 |
Du Pont d'Austerlitz Lithograph printed in colors, 1888-1902, Fields, pg. 77, edition 500. 6 5/8 x 8 3/8 in. Signed on the stone with the artist's red monogram. Here we have a fine impression in fine condition. The margins are full. This is plate 26 from Riviere's Thirty-Six views of The Eiffel Tower. SOLD |
|
 |
Du Pont de Grenelle Lithograph printed in colors, 1888-1902, Fields, pg. 77, edition 500. 6 3/4 x 8 3/8 in. Signed on the stone with the red monogram. This is a fine impression in fine condition. The margins are full. This lovely image is plate 20 from Les Trente-six vues de la Tour Eiffel which Riviere worked on between 1888 and 1902. This remarkable set was finally printed in 1902 by Eugene Verneau. SOLD |
|
 |
Du Pont des Saints Pères (From the Pont des Saints-Pères) Lithograph printed in colors, 1888-1902, Fields, pp. 77-78, edition 500. 8 3/8 x 6 3/4 in. Signed on the stone with the monogram. This is a fine impression in fine condition. The margins are full. This is plate 7 from Riviere's famous set of the Thirty-six views of the Eiffel Tower. The set was printed by Eugene Verneau. SOLD |
|
 |
Du Quai de Grenelle (From the Quai de Grenelle) Lithograph printed in colors, 1888-1902, Fields, pp. 77-78, edition 500. 6 5/8 x 8 3/8 in. Signed on the stone with the artist's red monogram. This is a fine impression in fine condition. The margins are full. This is plate 18 from the celebrated series Les Trentes-Six Vues de la Tour Eiffel. Certainly, the influence of Hokusai and his Thirty-Six Views of Mount Fuji cannot be understated. $850 |
|
 |
Du Quai de Javel (From the Quai de Javel, Switchman's Hut) Lithograph printed in colors, 1888-1902, Fields, pp. 77-78, edition 500. 6 3/4 x 8 3/8 in. Signed on the stone with the monogram. This is a fine impression with full margins. The condition is excellent. This is plate 28 from the series Les Trente-Six Vues de la Tour Eiffel. $800 |
|
 |
Du Quai de la Conférence Lithograph printed in colors, 1888-1902, Fields, pg. 77, edition 500. 6 3/4 x 8 3/8 in. Signed on the stone with the red artist's monogram. This is a fine impression in fine condition. The margins are full and the condition is excellent. This is plate 8 from the series Les Trente-Six Vues de la Tour Eiffel. SOLD |
|
 |
Du Quai de Passy Lithograph printed in colors, 1888-1902, Fields, pg 77, edition 500. 6 3/4 x 8 3/8 in. Signed on the stone with the artist's red monogram. This is a fine impression in fine condition. The margins are full. This is plate 13 from Riviere's Thirty-six views of the Eiffel Tower which he worked on between 1888-1902. The set was modeled after Hokusai's Thirty-Six Views of Mt. Fuji. SOLD |
|
 |
Du Quai de Passy (From the Quai de Passy, on a Rainy Day) Lithograph printed in colors, 1888-1902, Fields, pp. 77-78, edition 500. 6 3/4 x 8 3/8 in. Signed on the stone with the artist's red monogram. This is a fine impression in fine condition. The margins are full. This is plate 16 from the celebrated series Les Trentes-Six Vues de la Tour Eiffel. Certainly, the influence of Hokusai and his Thirty-Six Views of Mount Fuji cannot be understated. SOLD |
|
 |
En Haut de la Tour (At the Top of the Tower) Lithograph, 1888-1902, Fields, pp. 77-78, edition 500. 6 3/8 x 8 3/8 in. Signed on the stone with the monogram. This is a fine impression in fine condition. The margins are full. This is plate 4 from Les Trentes-Six Vues de la Tour Eiffel, as printed by Eugene Verneau. SOLD |
|
 |
Fête sur la Seine, le 14 Juillet (Festivities on the Seine, July 14) Lithograph printed in colors, 1888-1902, Fields, pp. 77-78, edition 500. 8 1/4 x 6 5/8 in. Signed on the stone with the monogram. This is a fine impression with full margins. The condition is excellent. This is plate 12 from the series Thirty-Six Views of the Eiffel Tower which was printed by Eugene Verneau. This series is considered by many to be Riviere's best work in lithography. SOLD |
|
 |
Frontispiece Lithograph printed in colors, 1888-1902, Fields, pp. 77-78, edition 500. 6 5/8 x 8 3/8 in. Signed on the stone with the monogram. This is a fine impression in fine condition. The margins are full. This is plate 1 from Les Trentes-Six Vues de la Tour Eiffel, as printed by Eugene Verneau. This remarkable series is considered by many to be Riviere's best work in lithography. SOLD |
|
 |
Ouvrier Plombier dans la Tour (A Worker in the Tower) Lithograph printed in colors, 1888-1902, Fields, pp. 77-78, edition 500. 8 3/8 x 6 3/4 in. Signed on the stone with the monogram. This is a fine impression in fine condition. The margins are full. This is plate 30 from Les Trentes-Six Vues de la Tour Eiffel, as printed by Eugene Verneau. This remarkable series is considered by many to be Riviere's best work in lithography. SOLD |
|
 |
Rue Beethoven Lithograph printed in colors, 1888-1902, Fields, pp. 77-78, edition 500. 8 3/8 x 6 5/8 in. Signed on the stone with the artist's monogram. This is a fine impression in fine condition with full margins. This is plate 5 from Les Trentes-six Vues de la Tour Eiffel, printed by Verneau. The florets, stamps and marks were designed by George Auriol. SOLD |
|
 |
Sur Les Toits (On the Rooftops) Lithograph printed in colors, 1888-1902, Fields, pg. 77, edition 500. 6 3/4 x 8 3/8 in. Signed on the stone with the artist's red monogram. This is a fine impression with full margins. The condition is excellent. Here we have plate 21 from the series Thirty-Six Views of the Eiffel Tower. SOLD |
|