Amsterdam Street Scene with Snow
Lithograph printed in colors, 1947, edition unknown. 15 1/4 x 19 1/2 in. Signed in pencil. A fine impression in very good condition. Minor soft creases in the full margins. This outstanding work was published in the so-called series "schildersprenten." Wiegers was a prominent member of "De Ploeg"; a Dutch expressionist movement.
$1,500

Mountainous Landscape
Brush etching, undated, edition unknown. 12 3/8 x 16 3/8 in. Signed in pencil. This is a fine impression printed on a sturdy wove paper. The margins are full and the condition is fine. This large and uncommon print most likely depicts the Swiss Alps where Wiegers lived and worked in the early 1920s. This unusual approach to etching compares nicely to the artist's work in wash and pen and ink drawings of similar subjects. With brush etching, acid is applied to the plate with a brush. This compares to using a brush to make a wash drawing with ink. Wiegers here shows a flair for graphic experimentation.
$2,000

Portrait of a Woman
Lithograph, 1930s, edition unknown but probably rather small. 12 5/8 x 10 1/2 in. Signed in pencil. A fine impression with strong contrasts. Full margins. Very good condition. (Faint discoloration within a previous mat opening. Wiegers was an important member of the Dutch group "De Ploeg". He was friendly with Kirchner and they were neighbors in Davos. This is possibly a portrait of fellow artist Coosje van Haersolte.
$1,800

The Chess Players
Woodcut, circa 1925, edition unknown. 19 1/4 x 15 1/8 in. Signed in pencil, lower right. This is a fine impression printed on fairly thin Japanese paper. The margins are wide and the condition is good. This large woodcut is illustrated on page 131 of the 2002 Groninger Museum retrospective catalog of Wiegers work, "De Ceremoniemeester Heeft Het Spel Laten Beginnen." This is a later printing from the block, probably done in the 1950s.
$2,000

The House of Ernst Kirchner in Davos, Switzerland (Het Huis van Ernst Kirchner in Davos, Switzerland)
Woodcut, 1920-24, edition unknown. 12 x 11 1/2 in. Signed in pencil. This is a fine, rich impression of this rare print. The paper is a thin Japanese and the margins are probably full. The condition is fine apart from very tiny specks of foxing showing primarily in the margins. Wiegers traveled to Davos in 1920 to undergo treatment for pneumonia. The artist and his family later moved into a farmhouse on Langmatt, a mountain slope. Shortly thereafter he met Kirchner who lived very close by. They soon began to work together almost daily and both artists were inspired by the beauty of the surrounding mountainous landscape. This is clearly one of Wiegers' finest woodcuts and it epitomizes the connection between the two artists. Early impressions of this print are very hard to come by and this one was printed a little later, probably in the 1940s. This print is illustrated on page 50 of Ernst Ludwig Kirchner and Friends, edited by Beat Stutzer, Samuel Vitali, et al. (2007) and on page 94 of De Ploeg 1918-1930 by Adriaan Venema, (1978).
$2,750

Two Women
Drypoint, 1928, from a small edition. 9 7/8 x 7 7/8 in. Signed and dated in pencil. Inscribed "eigen druk" in pencil (hand printed by the artist). This is a fine impression of this very rare print. The margins are full and the condition is fine. This expressionist print exemplifies the German artistic influence on Wiegers during the 1920s and beyond. He spent time in Davos, Switzerland in 1920-21 and his neighbor was Ernst Ludwig Kirchner. They worked together and became good friends. Wiegers would regularly travel to Switzerland to visit Kirchner up until his death in 1936. Wiegers's work flourished in this expressionist style and the movement became known as de Ploeg (the Plow). Other Dutch artists followed in this path including Jan Altink, Johan Dijkstra, Jan van der Zee among others. Wiegers's important connection to Kirchner is more fully discussed in the following publication, "Ernst Ludwig Kirchner and Friends; Expressionism from the Swiss Alps," by Stutzer, Vitali, et al.(2007). This book accompanied an exhibition by this name in Germany and Holland. (See pages 228-254.) Provenance: Reinier Lucassen (b. 1939) the well known Dutch artist.
$2,000

View of the Swiss Alps near Davos
Lithograph printed in colors, undated; possibly 1920s, edition unknown. 12 5/8 x 17 1/4 in. Signed in pencil. This is a fine impression of this rare print. The margins are full and the condition is fine. This outstanding print exemplifies the German artistic influence on Wiegers during the 1920s and beyond. He spent time in Davos, Switzerland in 1920-21 and his neighbor was Ernst Ludwig Kirchner. They worked together and became good friends. Wiegers would regularly travel to Switzerland to visit Kirchner up until his death in 1936. Wiegers's work flourished in this expressionist style and the movement became known as de Ploeg (the Plow). Other Dutch artists followed in this path including Jan Altink, Johan Dijkstra, Jan van der Zee among others. Wiegers's important connection to Kirchner is more fully discussed in the following publication, "Ernst Ludwig Kirchner and Friends; Expressionism from the Swiss Alps," by Stutzer, Vitali, et al.(2007). This book accompanied an exhibition by this name in Germany and Holland. (See pages 228-254.) Provenance: German private collection.
SOLD