The Chess Players
JAN WIEGERS
Dutch, (1893-1959)
Woodcut, circa 1925, edition unknown. 19 1/4 x 15 1/8 in. Signed in pencil, lower right. This is a fine impression printed on fairly thin Japanese paper. The margins are wide and the condition is good. This large woodcut is illustrated on page 131 of the 2002 Groninger Museum retrospective catalog of Wiegers work, "De Ceremoniemeester Heeft Het Spel Laten Beginnen." This is a later printing from the block, probably done in the 1950s.
$2,000

The House of Ernst Kirchner in Davos, Switzerland (Het Huis van Ernst Kirchner in Davos, Switzerland)
JAN WIEGERS
Dutch, (1893-1959)
Woodcut, 1920-24, edition unknown. 12 x 11 1/2 in. Signed in pencil. This is a fine, rich impression of this rare print. The paper is a thin Japanese and the margins are probably full. The condition is fine apart from very tiny specks of foxing showing primarily in the margins. Wiegers traveled to Davos in 1920 to undergo treatment for pneumonia. The artist and his family later moved into a farmhouse on Langmatt, a mountain slope. Shortly thereafter he met Kirchner who lived very close by. They soon began to work together almost daily and both artists were inspired by the beauty of the surrounding mountainous landscape. This is clearly one of Wiegers' finest woodcuts and it epitomizes the connection between the two artists. Early impressions of this print are very hard to come by and this one was printed a little later, probably in the 1940s. This print is illustrated on page 50 of Ernst Ludwig Kirchner and Friends, edited by Beat Stutzer, Samuel Vitali, et al. (2007) and on page 94 of De Ploeg 1918-1930 by Adriaan Venema, (1978).
$2,750

Landscape (Landschap)
JAN WIEGERS
Dutch, (1893-1959)
Woodcut, 1923, edition unknown. 10 1/2 x 15 3/8 in. Signed and dated in pencil. This is a superb impression printed on light cream wove paper. The margins are full and the condition is fine. (There's a slight line from an old mat around the image.) This outstanding print exemplifies the German artistic influence on Wiegers during the 1920s and beyond. He spent time in Davos, Switzerland in 1920-21 and his neighbor was Ernst Ludwig Kirchner. They worked together and became good friends. After returning to Groningen, Wiegers's work flourished in this expressionist style and the movement became known as de Ploeg (the Plow). Other Dutch artists followed in this path including Jan Altink, Johan Dijkstra, Jan van der Zee among others. Works from this early period are rare and few impressions were printed to begin with. (There's pencil writing in the lower left corner probably reading "2ep/6" which could well represent the printing. This impression was possibly printed a little later during the 1930s-1940s.
SOLD

Staalstraat, Amsterdam
WILM WOUTERS
Dutch, (1887-1957)
Woodcut printed in colors, 1932, edition unknown. 15 1/4 x 19 1/4 in. Signed lower right with a printed signature, "Wilm Wouters del. et sc." This is a fine impression in very good condition. (There's a soft crease in the lower margin.) This is a published state of a print probably produced as a series of charming views of the city of Amsterdam. (Vereeniging van Beeldende Kunsten 1932)
$550

Adoration
WILLIAM ZORACH
American, (1887-1966)
Linocut, 1921, edition unknown. 11 1/2 x 8 5/8 in. Signed in the block, lower right. Signed in pencil. This is a fine impression printed on thin wove paper. The margins are full and the condition is fine. Mother and child imagery is a favorite of the artist and it's seen predominantly in his sculpture. The best source of information about Zorach's prints can be found in Efram L. Burk's article in Print Quarterly, December 2002, pgs. 353-373. He includes an Appendix which lists the known prints with dates and museum collections. Adoration can be found in the Boston Public Library, the Art Institute of Chicago and also the Boston Museum of Fine Arts in an earlier state.
SOLD

Sailing
WILLIAM ZORACH
American, (1887-1966)
Linoleum cut, 1919, small edition. 7 1/8 x 6 1/2 in. Signed in pencil. This is a fine, rich impression of this rare print printed in thin wove paper. The margins are full and the condition is fine apart from small original hinges slightly visible at the top front corners and a couple of specks of printers ink in the right margin. This dynamic print is illustrated and discussed in Print Collector's Quarterly, Volume XIX, No.4, pages 164-165 in an article by Efram Burke. "The print conveys a dramatic interplay of of light and dark patterns, shifting movements, and the energy and force of nature translated through a direct and forceful cutting of the image in the linoleum block." (see page 165). According to Ephram, the location for this print is Stonington, ME. (Six impressions are cited in museum collections.)
$4,200