Birth of a Skyscraper
LOUIS LOZOWICK
American, (1893-1973)
Lithograph, 1930, Flint 46, edition 25. 12 1/4 x 8 5/8 in. Initialed on the stone, lower right. Signed and dated in pencil. Titled in pencil in the lower left margin. This is a fine impression of this uncommon and exceptional print. The original price of $20 is written in the lower right margin. Impressions are located at the Zimmerli Art Museum at Rutgers and at the Smithsonian American Art Museum.
SOLD

Steel Valley
LOUIS LOZOWICK
American, (1893-1973)
Lithograph, 1936, Flint 141, edition of 250 printed for AAA. 9 1/2 x 13 3/8 in. Initialed on the stone, lower left. Signed in pencil. Here we have a fine impression with full margins. The condition is fine apart from two original AAA hinges at the top corners. There was first an edition of 15 and then in 1942, AAA had George Miller print their edition of 250. The exact location of this print is unknown. However, Flint suggests it may relate to entry # 16, Blast Furnaces, located near Dover, NJ. It was known at the time as the Pittsburgh of New Jersey. Impressions of this work are found in the National Gallery of Art, the Fine Arts Museums of San Francisco and the Princeton University Art Museum.
$3,000

Central Park
LOUIS LOZOWICK
American, (1893-1973)
Woodcut printed in colors, 1940, Flint 174, edition 15. 9 1/16 x 5 1/2 in. Signed and dated in pencil. This is a fine impression of this veryy rare print. The paper is a thin light cream wove and the margins are most likely full. The condition is excellent. Lozowick produced very few color woodcuts and the Flint catalogue lists six in total. They were all produced in 1940. This charming scene shows a child on a sled and a couple in the distance.
$1,500

Through Brooklyn Bridge Cables
LOUIS LOZOWICK
American, (1893-1973)
Lithograph, 1938, Flint 158, edition 250. 9 5/8 x 12 7/8 in. Initialed on the stone, lower right corner. Signed and dated in pencil. Here we have a fine impression in fine condition. The margins are full. This well-known print is on the cover the the Lozowick catalogue raisonné by Janet Flint. (There was a also an edition of 15 printed in the same year of the AAA edition, 1938. George Miller was the printer.)
SOLD

Granite Quarries
LOUIS LOZOWICK
American, (1893-1973)
Lithograph, 1936, Flint 131, edition 25. 11 7/8 x 14 in. Initialed on the stone, lower left. Signed and dated "37" in pencil. Inscribed "AP"in pencil lower left. This is a fine impression of this uncommon print. The margins are full and the condition is fine. Lozowick produced a few quarry studies this one being about the best. "These granite quarries were at Rockport, MA. At one time, the exporting of high-grade granite was such an important industry that a special type of sloop was developed in the shipyards of Rockport and nearby towns for carrying granite." (Flint, pg. 117)
$1,300

Elevated Railway
LOUIS LOZOWICK
American, (1893-1973)
Lithograph, 1931, Flint 82, edition only 20. 12 1/2 x 8 1/2 in. Initialed on the stone, lower right. Signed in pencil. This is a fine, rich impression of this rare print. The margins are full and the paper bears the watermark FRANCE. The condition is fine apart from two professionally repaired splits in the right margin, well away from the image. This is the full sheet as printed.
$4,200

The Fox Woman
BERTHA LUM
American, (1869-1954)
Woodcut printed in colors, 1916, Gravalos / Pulin 38, edition at least 197. 16 1/2 x 10 in. Signed, dated and numbered in pencil. This is a fine impression with fresh colors. The margins are narrow but probably full. The condition is fine apart from soft rippling here and there at the sheet edges. This lovely print provides an elegant and refined visualization of the age-old role of the fox in oriental folklore. This theme is discussed in the catalogue raisonne entry for this print on page 96.
SOLD

A gathering of Mice
BETTINA "PETER BOY" LUM
American, (1911-1983)
Woodcut printed in colors, 1920, edition unknown (this impression inscribed # 6 in pencil.) 8 1/4 x 4 1/8 in. Signed and numbered in pencil with a hard to read date as mentioned above. This is a fine impression of this rare print. The margins are modest and the condition is fine. Bettina was born in Minneapolis and was the daughter of Bertha Lum. She was called "Peter Boy." She was married in 1938 to a British diplomat named Sir Colin Crowe and Crowe was added to her name. Her work is in the collection of the Fine Arts Museums of San Francisco and has been exhibited at other US museums.
SOLD

Sugar Snow
GUY MACCOY
American, (1904-1981)
Screenprint, 1946, edition unknown. 10 1/4 x 13 3/8 in. Signed, titled and dated in pencil. This is a fine impression printed on light gray paper. The margins are full and the condition is excellent. Maccoy made his first artistic screenprints in 1932 and taught the medium in Colorado and Los Angeles during the 1940s and 1950s. He was married to the artist, Geno Petit.
$750

Arrangement
DORIE MARDER
American, (b. 1916)
Screenprint, 1945, edition 35. 9 3/4 x 11 1/2 in. Signed, numbered and titled in pencil. This is a fine impression with fresh colors. The condition is excellent other than for a couple of small smudges in the right margin, well away from the image. The sheet is untrimmed. Marder was born in Poland. She lived in New York and was active with the National Serigraph Society and the American Color Print Society in the 1940s and 1950s. An impression of this print is in the Williams Collection at the National Gallery of Art. In addition, her papers are in the Archives of American Art in Washington, DC.
SOLD

Bridge Over Canal, Amsterdam
JOHN MARIN
American, (1872-1953)
Etching, 1906, Zigrosser 13 (ii/II), edition 30. 5 15/16 x 7 1/2 in. Signed and dated in the plate. Signed in pencil, lower right. This is a superb impression of this lovely, rare work. The paper is a cream Japanese and the margins are full. The condition is excellent. Like Whistler and his Amsterdam etchings, Marin appreciated the uniqueness of every impression and applied the ink in such a dramatic way that no two impressions are exactly the same. We sold a rare first state of this print a couple of years ago and the inking was substantially different than this one. Other impressions are found at Colby College, The Philadelphia Museum of Art and the Art Institute of Chicago.
SOLD

Notre Dame, Paris
JOHN MARIN
American, (1872-1953)
Etching, 1908, Zigrosser 79 (iv/V), edition about 30. 12 3/4 x 10 1/2 in. Signed, dated and titled in the plate. Signed in pencil. This is a very fine impression of the large, early work. The margins are full and the condition is excellent. The copper plate is in the Philadelphia Museum of Art.
SOLD

Downtown, The El
JOHN MARIN
American, (1872-1953)
Etching printed with plate tone, 1921-24, Zigrosser 134, edition about 500. 6 7/8 x 8 7/8 in. Signed and dated in the plate, lower right. Signed in pencil. This is a fine impression printed on a cream paper. The margins are wide and the condition is very good. (There's a small break in the paper where the upper right hinge is found.) This was published in 1924 as one of Six American Etchings offered as a portfolio for the New Republic. It was meant to entice new subscriptions to the weekly magazine. Peter Platt printed the edition and each of the prints were signed in pencil by the artists. Exhibited and reproduced: The American Scene: Prints from Hopper to Pollock, Stephen Coppel, The British Museum, 2008, page 70. Provenance: Kennedy Galleries, NY (with their label).
$4,000

Ohmpeer
KYRA MARKHAM
American, (1891-1967)
Lithograph, 1944, edition 25. 13 3/8 x 10 1/8 in. Signed, dated and titled in pencil. The edition size is also written in pencil below the image. This is a fine impression in fine condition. The margins are wide and probably full. A very good, short biography about Markham is found in Paths to the Press, Printmaking and American Women Artists, 1910-1960 (2006), pages 194-195. This is a nice example of her later work.
SOLD

July 4, 1936
KYRA MARKHAM
American, (1891-1967)
Lithograph, 1936, edition 25 16 x 12 3/4 in. Signed, dated, titled and numbered in pencil. This is a fine impression of this exceptional American print from the 1930s. The condition is very good apart from two old hinges at the top corners, verso, and a few subtle spots of foxing on the back of the sheet. Markham excelled in lithography and painting. She studied at the Art Institute of Chicago and was active in the WPA program. She produced 40 dioramas for the 1939 New York World's Fair in the Hall of Inventions.
SOLD

Jersey City Landscape
REGINALD MARSH
American, (1898-1954)
Etching and engraving, 1939, Sasowsky 187 (iii/III), edition 20 plus five trial proofs. 7 7/8 x 11 7/8 in. Signed and dated in the plate and signed in pencil lower right. A fine impression of this rare print. In very good condition apart from traces of an old tape adhesive along the top edge of the sheet. The margins appear to be full. An outstanding example of Marsh's skills as a printmaker.
SOLD

Girl Walking (Elevated)
REGINALD MARSH
American, (1898-1954)
Lithograph, 1945, Sasowsky 28, AAA 709; edition 250. 10 5/8 x 8 in. Initialed and dated on the stone, lower right. Signed in pencil. This is a fine impression printed on white wove paper. The margins are full and the condition is excellent. This very well drawn lithograph was published by Associated American Artists in New York. Marsh enjoyed depicting this subject and he did many other such images in drawings and oil sketches. The edition was printed by George Miller.
$1,600

George Washington Bridge (Palisades)
REGINALD MARSH
American, (1898-1954)
Etching, 1936, Sasowsky 166 (i/III); one of only three proofs in this state. 8 x 10 in. Signed in pencil, lower right. This is a superb impression printed on a white wove paper. The condition is fine and the margins are wide. This appealing print is quite rare with only five impressions listed in the final state. There are only six artist's proofs listed in the catalogue in addition to the above five impressions. (We sold a third state impression several years ago.) We feel Marsh prints are underrated and undervalued in the current market. His editions tend to be small, in general, which makes them much harder to find in signed, lifetime impressions.
SOLD

Pavonia Avenue
REGINALD MARSH
American, (1898-1954)
Etching and engraving, 1928, Sasowsky 55 (vi/VI), highest known impression is 19. 7 x 10 7/8 in. Signed and dated in the plate. Signed and numbered "10/50" in pencil. This is a superb impression of this uncommon print. The margins are probably full and the condition is fine. As stated in the Sasowsky catalogue, page 52 under the section called Printing, "Therefore, when impressions numbered 18/50, 19/50, 20/50, 21/50 remained in Marsh's estate, it was concluded that Marsh actually printed twenty-one impressions of the proposed edition of 50." (This information applies to many of his prints.)
SOLD

Two Models on a Bed
REGINALD MARSH
American, (1898-1954)
Lithograph, 1928, Sasowsky 9, edition 15. 9 x 10 1/2 in. Initialed and dated on the stone. Signed in pencil and inscribed, "15 proofs." Here we have a fine impression printed on chine appliqué. The margins are full and the condition is fine. This early figurative study was done in Paris.
SOLD