After the Rain (Winter Harbor, Maine)
Lithograph, 1941, Stuckey 109, edition 50. 11 1/2 x 17 5/8 in. Signed in pencil and also with the edition reference, "ed. 50." This is a very fine impression in fine condition. The margins are full and untrimmed.
SOLD

Black Cape (Eastport, Maine)
Lithograph, 1931, Stuckey 7, edition 54. 4 3/8 x 12 11/16 in. Signed in pencil. Here we have a fine impression of this rare early work. The condition is excellent and the margins are full. This compelling print has a modernist and somewhat abstract look.
SOLD

City Street (New York City)
Lithograph, 1933, Stuckey 36, edition 25. 12 1/2 x 9 3/4 in. Signed in pencil. A fine impression with full margins. The condition is quite good apart from subtle handling creases here and there in the margin edges. This rare print shows a view from the window of 139 MacDougal Street in Brooklyn.
SOLD

Coast of Maine
Lithograph, 1957, Stuckey 237, edition 55. 9 7/8 x 15 1/4 in. Signed and numbered in pencil. Here we have a fine impression with substantial margins. The condition is very good other than for a thin piece of tape across the upper back edge of the sheet. There's an exceedingly faint suggestion of toning within an earlier mat opening.
SOLD

Deep Forest
Lithograph, 1937, Stuckey 70, edition 60. 11 3/16 x 16 in. Signed in pencil. Here we have a fine impression with full margins. There's a faint suggestion of toning within a previous mat opening. The location for this print is Boothbay Harbor, Maine.
SOLD

Descending Skies (Eastport, Maine)
Lithograph, 1932, Stuckey 32, edition 75. 7 3/8 x 12 3/4 in. Signed in pencil. This is a fine impression with full margins. The condition is also fine. This great early work show Passamaquoddy Bay from Eastport.
SOLD

Deserted House
Lithograph, 1931, Stuckey 13, edition 54. 9 1/2 x 9 3/8 in. Signed in pencil, lower right. This is a superb impression of this early work. The margins are full and the condition is fine. This Hopperesque image was done in Eastport, Maine.
$750

Foggy Morning
Lithograph, 1945, Stuckey 148, edition 37. 7 3/4 x 13 1/2 in. Signed and titled in pencil. Inscribed "ed 37" in the lower left. Here we have a superb impression of this uncommon print. The margins are full. The condition is very good apart from a couple of spots of foxing below the image and a subtle scratch above the image. This rare print was done in Port Clyde, Maine in March, 1945.
SOLD

Foundry Interior
Lithograph, 1934, Stuckey 47; edition 15. 10 1/4 x 13 1/8 in. Signed in pencil. This is a fine impression of this very rare, early print. The margins are quite wide and the condition is excellent. Done in Rockport, MA, this industrial, WPA-like subject reflects the versatility of Wengenroth the draughtsman.
SOLD

From the Weather Bureau (New York)
Lithograph printed with a tint stone, 1940, Stuckey 106, edition 40. 10 1/4 x 17 in. Signed and numbered in pencil. This is a fine, atmospheric impression with full margins. The condition is quite good apart from minor handling creases in the margins and slight foxing here and there in the extreme upper margin. This subtle, panoramic New York print is greatly underrated. (Incidentally, The Weather Bureau was located at 17 Battery Place at the tip of lower Manhattan between 1911 and 1960.)
SOLD

Meeting House
Lithograph, 1940, Stuckey 105, edition 40. 9 1/4 x 16 3/4 in. Signed in pencil. This is a fine impression in fine condition. The margins are full. Depicted here is the Meeting House in Castine, ME which was built in 1790. This print is Wengenroth's first two stone lithograph. Besides the black stone, a very light grey tint stone was printed over the entire subject except for the whites.
SOLD

Memory
Lithograph, 1971, Stuckey 336, edition 60. 14 3/8 x 10 3/4 in. Signed and titled in pencil. This is a fine impression in fine condition with full margins. Here we have outstanding example of his work.
SOLD

Moth (Greenport, New York)
Lithograph, 1973, Stuckey 347, edition 75. 15 x 10 1/8 in. Signed in pencil and also signed with the edition reference "ed.75." Full margins. Fine condition. A charming, later work.
SOLD

Picnic
Lithograph, 1938, Stuckey 81, edition 50. 12 1/8 x 15 5/8 in. Signed and numbered in pencil. This is a fine impression with full margins. The condition is fine apart from a modest handling wrinkle in the top margin away from the image and a tiny smudge on the right margin, upper right. This charming early work was done in Port Clyde, Maine.
$650

River Scene
Lithograph, 1943, Stuckey 119; edition 40. 5 3/8 x 9 3/4 in. Signed in pencil. This is a fine impression in fine condition. The margins are full. This small but lovely image depicts a scene in New Hope, PA.
SOLD

Roadside Garden
Lithograph, 1965, Stuckey 298; edition 50. 10 7/8 x 15 7/8 in. Signed in pencil. This is a fine impression in fine condition with full margins. The locale for this print was Port Clyde, Maine.
SOLD

Ruffed Grouse
Lithograph, 1942, Stuckey 117, edition 60. 11 3/8 x 16 3/4 in. Signed in pencil. A fine impression with full margins. There's a faint suggestion of discoloration from old hinges showing at top margin corners. This is not a common print.
SOLD

Serenity
Lithograph, 1951, Stuckey 199, edition 100. 11 3/4 x 17 3/4 in. Signed in pencil. A fine impression in fine condition. Full margins. An exemplary work by the artist. The church depicted is in Litchfield, Connecticut.
SOLD

Strange Visitors (New York)
Lithograph, 1944, Stuckey 136, edition 60. 10 1/2 x 9 3/8 in. Signed in pencil, lower right. This is a superb impression with full margins. The condition is fine apart from minor rippling along the left margin edge. This print was done from the artist's studio window at 51 West 10th Street in New York City.
SOLD

Summer Dusk
Lithograph, 1932, Stuckey 27, edition 54. 7 1/4 x 12 3/4 in. Signed in pencil. This is a fine impression with full margins. Very good condition; faint toning within an earlier mat opening. THe subject here is Eastport, Maine.
SOLD

Sunlight, Wiscasset (Maine)
Lithograph, 1967, Stuckey 311, edition 75. 9 7/8 x 15 7/8 in. Signed in pencil and inscribed "ed 40." This is a fine impression with full margins. The condition is also fine. This is the Governor Samuel Smith house in Wiscasset which was built in 1852.
SOLD