(Untitled) Owl
Lithograph, 1973, Stuckey 351, edition 135. 9 x 7 3/8 in. Signed in pencil. This is a fine, rich impression with full margins. The condition is excellent. This print was published as the frontispiece of a limited edition of the Lithographs of Stow Wengenroth, 1931-1972 as published by the Boston Public Library in 1974. This impression has large margins with a deckle edge on all sides and was not part of the book edition. Rare as such.
$850

After the Rain (Winter Harbor, Maine)
Lithograph, 1941, Stuckey 109, edition 50. 11 1/2 x 17 5/8 in. Signed in pencil and also with the edition reference, "ed. 50." This is a very fine impression in fine condition. The margins are full and untrimmed.
SOLD

Along the Canal
Lithograph, 1949, Stuckey 181, edition about 50. 7 7/8 x 13 3/8 in. Signed in pencil. This is a fine impression in good condition. The margins are wide. (There's light toning in the margins from an early mat opening and a few smudge marks on the back of the sheet.) The scene depicted here in in Lambertville, New Jersey.
$450

Approaching Storm
Lithograph, 1946, Stuckey 161, edition 60. 11 1/4 x 9 1/4 in. Signed and numbered in pencil. This is a fine impression with full margins. The condition is fine. This lovely, atmospheric work was done in Gloucester, MA.
SOLD

Black Cape (Eastport, Maine)
Lithograph, 1931, Stuckey 7, edition 54. 4 3/8 x 12 11/16 in. Signed in pencil. Here we have a fine impression of this rare early work. The condition is excellent and the margins are full. This compelling print has a modernist and somewhat abstract look.
SOLD

Brooklyn Bridge
Lithograph, 1950, Stuckey 189, edition 40. 15 1/16 x 11 5/8 in. Signed and numbered in pencil. This is a superb impression with full margins. The condition is fine apart from a subtle, little spot of discoloration to the left of the image not noticeable from normal viewing distance.) This iconic image depicts Woolworth Building and the Municipal Building showing through the arches. Wengenroth also produced Brooklyn Bridge in Winter in 1955.
PRICE ON REQUEST

Brooklyn Bridge in Winter
Lithograph, 1959, Stuckey 255, edition 60. 10 1/2 x 15 7/8 in. Signed and numbered in pencil. This is a superb impression of this iconic American print. The margins are full and the condition is excellent. This print is located in multiple museum collections including the Smithsonian American Art Museum.
SOLD

Brooklyn City
Lithograph, 1932, Stuckey 24, edition 25. 11 3/4 x 16 1/2 in. Signed in pencil and titled below. This is a superb impression of this rare, early print. The margins are full and the condition is excellent. Wengenroth was born in Brooklyn in 1906. He studied at the Art Students League from 1923-27 and later at the Grand Central School of Art with Wayman Adams. He was elected to the National Academy of Design in 1938 and became a full Academician in 1941. This large work was his first recorded lithograph of New York and befittingly, an impression is owned by the Brooklyn Museum.
SOLD

City Street (New York)
Lithograph, 1933, Stuckey 36, edition 25. 12 5/8 x 9 5/8 in. Signed in pencil. Here we have a fine impression with full margins. The condition is excellent. Wengenroth made a drawing, relating to this print, looking out his studio window at 39 MacDougal Street in Brooklyn.
$1,900

Coast of Maine
Lithograph, 1957, Stuckey 237, edition 55. 9 7/8 x 15 3/8 in. Signed in pencil and inscribed, "artist's proof". This is a very fine impression with full margins. The condition is fine. The exceptional print was done in Port Clyde, Maine. It shows Marshall's Point Light.
$1,400

Cottage Window
Lithograph, 1970, Stuckey 334, edition 50. 15 1/4 x 11 3/8 in. Signed and numbered in pencil. This is a fine impression of this large, lovely print. The margins are full and the condition is excellent. The location for this work was Greenport, New York, which is an historic village on the north fork of Long Island.
$1,000

Day's End
Lithograph, 1937, Stuckey 69, edition 30. 7 3/8 x 13 in. Signed and numbered in pencil. This is a fine impression with full margins. The condition is very good. (There's some rippling along the top margin.) This print was done at Boothbay Harbor, Maine.
$900

Deep Forest
Lithograph, 1937, Stuckey 70, edition 60. 11 3/16 x 16 in. Signed in pencil. Here we have a fine impression with full margins. There's a faint suggestion of toning within a previous mat opening. The location for this print is Boothbay Harbor, Maine.
SOLD

Descending Skies
Lithograph, 1932, Stuckey 32, edition 75. 7 3/8 x 12 3/4 in. Signed in pencil. This is a superb impression of this outstanding, early work. The margins are full and the condition is fine. (There are remains of small, old paper hinges at the top corners.) This dramatic scene was done in Eastport, ME.
SOLD

Deserted House
Lithograph, 1931, Stuckey 13, edition 54. 9 1/2 x 9 3/8 in. Signed in pencil, lower right. This is a superb impression of this early work. The margins are full and the condition is fine. This Hopperesque image was done in Eastport, Maine.
SOLD

Fog
Lithograph, 1942, Stuckey 114, edition only 20. 8 1/4 x 15 1/4 in. Signed and numbered in pencil. This is a fine impression with full margins. The condition is excellent. This impression bears the Edith Wengenroth collectors mark; a lighthouse with her initials. This rare print was done in Castine, ME. Note: this work was printed with two stones, one being a tint stone. The catalogue lists an edition of 20 but this impression says "ed 22."
$1,100

Fog from the Sea
Lithograph, 1951, Stuckey 193, edition 50. 10 3/8 x 15 7/8 in. Signed, numbered and titled below in pencil. Here we have a superb, atmospheric impression with full margins. The condition is excellent. The location of this print is Ogunquit, ME.
SOLD

Foggy Morning
Lithograph, 1945, Stuckey 148, edition 37. 7 3/4 x 13 1/2 in. Signed and titled in pencil. Inscribed "ed 37" in the lower left. Here we have a superb impression of this uncommon print. The margins are full. The condition is very good apart from a couple of spots of foxing below the image and a subtle scratch above the image. This rare print was done in Port Clyde, Maine in March, 1945.
SOLD

Forest Shade
Lithograph, 1945, Stuckey 149, edition 75. 11 1/4 x 16 1/2 in. Signed and numbered in pencil. This is a fine impression of this lovely print. The margins are wide and the condition is fine. This print was done in Port Clyde, ME. Notice the two deer lurking in the shadows near the center.
$1,500

Foundry Interior
Lithograph, 1934, Stuckey 47; edition 15. 10 1/4 x 13 1/8 in. Signed in pencil. This is a fine impression of this very rare, early print. The margins are quite wide and the condition is excellent. Done in Rockport, MA, this industrial, WPA-like subject reflects the versatility of Wengenroth the draughtsman.
SOLD

Foundry Interior
Lithograph, 1934, Stuckey 47, edition only 15. 10 3/8 x 13 1/4 in. Signed in pencil. Here we have a fine impression with substantial margins. The condition is fine apart from a very faint suggestion of a mat line from an early mount and a tiny paper loss in the lower right corner. This is a view near an abandoned quarry in Rockport, MA. This superb industrial image is a very unusual subject for Wengenroth.
$1,800

From the Weather Bureau (New York)
Lithograph printed with a tint stone, 1940, Stuckey 106, edition 40. 10 1/4 x 17 in. Signed and numbered in pencil. This is a fine, atmospheric impression with full margins. The condition is quite good apart from minor handling creases in the margins and slight foxing here and there in the extreme upper margin. This subtle, panoramic New York print is greatly underrated. (Incidentally, The Weather Bureau was located at 17 Battery Place at the tip of lower Manhattan between 1911 and 1960.)
SOLD

Gloucester Evening
Lithograph, 1976, Stuckey 367, edition 75. 9 7/8 x 15 3/4 in. Signed, titled and with the edition written in pencil. This is a fine impression with full margins. The condition is excellent.
SOLD

Housewife's Garden
Lithograph, 1931, Stuckey 9, edition 54. 9 5/8 x 12 1/8 in. Signed in pencil. Here we have a fine, luminous impression of this rare, early work. The margins are full and the condition is excellent. Like so much of his early work, Eastport, ME is the location he chose for inspiration.
$800

Hudson River (Storm)
Lithograph, 1939, Stuckey 86, edition only 18. 10 1/4 x 13 5/8 in. Signed in pencil. This is a fine impression with full margins. The condition is fine. (There's a faint bit of toning along the bottom edge of the sheet.)
$1,600

Lighthouse Beach
Lithograph, 1976, Stuckey 365, edition 80. 8 3/8 x 13 7/8 in. Signed and numbered in pencil. The print is titled below in what appears to be the artist's handwriting. This is a fine impression with full margins. The condition is excellent. The scene depicted here is Annisquam, MA.
$750

Little One
Lithograph, 1975, Stuckey 359, edition 100. 9 3/8 x 13 1/2 in. Signed, numbered and titled in pencil. This is a fine impression with full margins. The condition is fine apart from a soft crease in the upper right corner of the sheet.
SOLD

Lobsterman
Lithograph, 1934, stuckey 46, edition 25. 9 1/2 x 13 1/4 in. Signed in pencil. This is a fine impression of this rare early print. The margins are full and the condition is good. (There's some very light foxing in the image.) This is a shack on Bearskin Neck in Rockport, MA.
SOLD

Lower Fifth Avenue
Lithograph, 1959, Stuckey 256; edition 40. 10 1/8 x 15 7/8 in. Signed and numbered in pencil. Here we have a superb impression with wide margins. The condition is fine apart from some irregularity along the margin edges. According to Stuckey, the view is looking west on Eleventh Street. This is one of the artist's finest prints.
SOLD

Maine Evening
Lithograph, 1945, Stuckey 147, edition 65. 11 1/2 x 16 5/8in. Signed and numbered in pencil. This is a fine impression with full margins. The condition is excellent. (The print is titled in ink at the lower margin edge, apparently by the artist.) The view depicted here is Port Clyde, Maine.
$1,000

Matriarch
Lithograph, 1974, Stuckey 355, edition 100. 13 1/4 x 11 in. Signed and numbered in pencil. This is a fine impression of this large, beautifully rendered print. The margins are full. The condition is fine apart from light discoloration along the left edge of the sheet, verso. This is one of several owl lithographs created by Wengenroth.
SOLD

Meeting House
Lithograph, 1940, Stuckey 105, edition 40. 9 1/4 x 16 3/4 in. Signed in pencil. This is a fine impression in fine condition. The margins are full. Depicted here is the Meeting House in Castine, ME which was built in 1790. This print is Wengenroth's first two stone lithograph. Besides the black stone, a very light grey tint stone was printed over the entire subject except for the whites.
SOLD

Memory
Lithograph, 1971, Stuckey 336, edition 60. 14 3/8 x 10 3/4 in. Signed and titled in pencil. This is a fine impression in fine condition with full margins. Here we have outstanding example of his work.
SOLD

Miller's Wharf
Lithograph, 1931, Stuckey 16, edition 54. 15 3/4 x 11 1/4 in. Signed in pencil. This is a fine impression of this large, early work. The margins are full. The condition is fine apart from a slight suggestion of toning along the extreme right edge of the sheet, mainly verso, and along the extreme top edge, verso. This nicely designed print conveys some of the geometric thinking of Louis Lozowick. The scene depicted is Eastport, Maine.
$1,200

Moonlight
Lithograph, 1937, Stuckey 62, edition 75. 11 1/8 x 16 in. Signed and numbered in pencil. This is a fine, luminous impression of this exceptional work. The margins are full. The condition is fine apart from slight rippling here an there along the edges of the sheet, well away from the image. The location of this print is the inner harbor in Rockport, MA.
SOLD

Moth (Greenport, New York)
Lithograph, 1973, Stuckey 347, edition 75. 15 x 10 1/8 in. Signed in pencil and also signed with the edition reference "ed.75." Full margins. Fine condition. A charming, later work.
SOLD

New York Nocturne
Lithograph, 1945, Stuckey 146, edition 85. 9 7/8 x 16 7/8 in. Signed in pencil. This is a superb impression with probably the full margins. The condition is excellent. This outstanding nocture is one of Wengenroth's finest prints. The view is from Columbia Heights, Brooklyn looking across to lower Manhattan.
SOLD

Northern Coast
Lithograph, 1937, Stuckey 63, edition 65. 9 7/8 x 16 in. Signed and numbered in pencil. This is a fine impression with full margins. The condition is also fine. The location for this dramatic print is Rockport, MA.
$850

Ogunquit Dunes
Lithograph, 1949, Stuckey 184, edition 40. 10 3/8 x 15 in. Signed and numbered in pencil. This is a fine impression with full margins. The condition is excellent.
SOLD

Old North Church, Boston
Lithograph, 1976, Stuckey 366, edition 76. 15 7/8 x 11 5/8 in. Signed and numbered in pencil. Titled below in pencil. Here we have a fine impression with full margins. The condition is also fine. (There's a small wrinkle in the center of the top margin.) This historic Boston landmark was built in 1723.
$550

Picnic
Lithograph, 1938, Stuckey 81, edition 50. 12 1/8 x 15 5/8 in. Signed and numbered in pencil. This is a fine impression with full margins. The condition is fine apart from a modest handling wrinkle in the top margin away from the image and a tiny smudge on the right margin, upper right. This charming early work was done in Port Clyde, Maine.
$650

Redwing
Lithograph, 1968, Stuckey 314, edition 75. 15 x 10 in. Signed in pencil and also inscribed "proof". This is a very fine early impression apart from the formal edition of 75. The margins are full and the condition is excellent. According to the Stuckey catalogue, this lovely work was done in Greenport, NY.
SOLD

River Scene
Lithograph, 1943, Stuckey 119; edition 40. 5 3/8 x 9 3/4 in. Signed in pencil. This is a fine impression in fine condition. The margins are full. This small but lovely image depicts a scene in New Hope, PA.
SOLD

Roadside Garden
Lithograph, 1965, Stuckey 298; edition 50. 10 7/8 x 15 7/8 in. Signed in pencil. This is a fine impression in fine condition with full margins. The locale for this print was Port Clyde, Maine.
SOLD

Roadside Garden
Lithograph, 1965, Stuckey 298, edition 50. 10 7/8 x 15 7/8 in. Signed and numbered in pencil. This is a fine impression with full margins. The condition is excellent. This beautiful print was done in Port Clyde, Maine.
$1,200

Rocks, Eastport
Lithograph, 1931, Stuckey 4, edition 75. 9 x 11 7/8 in. Signed in pencil. This is a fine, luminous impression of this very early work. This is only the fourth published print by the artist. Eastport is a city and archipelago in Washington County, Maine.
$1,200

Ruffed Grouse
Lithograph, 1942, Stuckey 117, edition 60. 11 3/8 x 16 3/4 in. Signed in pencil. A fine impression with full margins. There's a faint suggestion of discoloration from old hinges showing at top margin corners. This is not a common print.
SOLD

Ruffed Grouse
Lithograph, 1942, Stuckey 117, edition 60. 11 3/8 x 17 in. Signed and numbered in pencil. The print is also signed with the collector's mark of Edith Wengenroth, the artist's wife. This is a fine impression with full margins. The condition is excellent.
$1,400

Serenity
Lithograph, 1951, Stuckey 199, edition 100. 11 3/4 x 17 3/4 in. Signed in pencil. A fine impression in fine condition. Full margins. An exemplary work by the artist. The church depicted is in Litchfield, Connecticut.
SOLD

Solitude
Lithograph, 1931, Stuckey 12, edition 54. 5 1/2 x 12 7/8 in. Signed in pencil. This is a fine impression of this very early print. The margins are full and the condition is fine apart from a very faint suggestion of toning within an early mat opening. The scene is Eastport, Maine, which is where his earliest prints were made.
ON HOLD

Steps to the Sky
Lithograph, 1931, Stuckey 22, edition 54. 9 7/8 x 11 3/4 in. Signed in pencil. Here we have a fine, rich impression with full margins. The condition is fine apart from soft wrinkles along part of the top margin edge not affecting the image. This early work shows Eastport, Maine.
$1,200

Strange Visitors (New York)
Lithograph, 1944, Stuckey 136, edition 60. 10 1/2 x 9 3/8 in. Signed in pencil, lower right. This is a superb impression with full margins. The condition is fine apart from minor rippling along the left margin edge. This print was done from the artist's studio window at 51 West 10th Street in New York City.
SOLD

Summer Dusk
Lithograph, 1932, Stuckey 37, edition 54. 7 1/8 x 12 7/8 in. Signed in pencil. This is a fine impression of this exceptional early work. The margins are full and the paper bears a RIVES watermark. The condition is excellent. The scene is Eastport, Maine.
ON HOLD

Sunlight, Wiscasset (Maine)
Lithograph, 1967, Stuckey 311, edition 75. 9 7/8 x 15 7/8 in. Signed in pencil and inscribed "ed 40." This is a fine impression with full margins. The condition is also fine. This is the Governor Samuel Smith house in Wiscasset which was built in 1852.
SOLD

Sunlit Wing
Lithograph, 1933, Stuckey 35, edition 25. 5 1/2 x 8 3/8 in. Signed in pencil. This is a fine impression with full margins. The condition is also fine. This small but very rare print was done in Eastport, Maine. In fact, most of Wengenroth's early prints were done in Eastport. This would be 1931-32.
SOLD

The Church
Lithograph, 1947, Stuckey 170, edition 60. 15 1/2 x 11 1/4 in. Signed and numbered in pencil. Titled by the artist below in pencil. Here we have a fine impression with full margins. The condition is very good apart from soft wrinkling in the margins at the top and bottom. This is the Congregational Church which faces the village green in Wiscasset, Maine. The church was established in 1773.
$1,300

The Sentinel Tree
Lithograph, 1973, Stuckey 350, edition 75. 15 1/2 x 10 1/4 in. Signed and numbered in pencil. This is a fine impression with full margins. The condition is excellent. This large work was done in Lanesville, MA.
$750

The Third Sea
Lithograph, 1931, Stuckey 21, edition 54. 11 7/8 x 9 7/8 in. Signed in pencil. This is a fine, rich impression with full margins. The condition is very good apart from a tiny stain on the verso which is barely discernible from the front. The print was done in Eastport, ME.
$1,200

Three of a Kind
Lithograph, 1967, Stuckey 310, edition 75. 9 x 15 in. Signed in pencil and inscribed "artist's proof." This is a fine impression with full margins. The condition is also fine.
$800

Trees and Sky
Lithograph, 1936, Stuckey 60, edition 75. 12 3/8 x 17 7/8 in. Signed and numbered in pencil. This is a superb impression of this large print. The margins are full. The condition is fine apart from a small wrinkle along part of the bottom margin. The scene shows a view of Stage Fort Park in Gloucester, MA. This historic area was settled in the 1620s. Fitz Henry Lane did a painting in 1862 named Stage Fort across Gloucester Harbor which is now in the collection of the Metropolitan Museum of Art.
$1,500

Victorian Era
Lithograph, 1947, Stuckey 167, edition 50. 12 7/8 x 9 5/8 in. Signed and numbered in pencil. This is a fine, rich impression of this stellar print. The margins are full and the condition is fine. The location for this print is Noank, CT. Noank is a village in the town of Groton.
$1,100

Wild Coast
Lithograph, 1973, Stuckey 349, edition 60. 10 1/4 x 15 3/8 in. Signed and numbered in pencil. Here we have a fine, rich impression with full margins. The condition is excellent. This compelling image was done in Ogunquit, ME.
SOLD

Window in Wicasset
Lithograph, 1946, Stuckey 155, edition 65. 9 3/8 x 15 1/2 in. Signed and numbered in pencil. This is a fine impression with full margins. The condition is good apart from a small circular spot to the left of the image which is covered by the mat. Wicasset is a small Maine town in the mid coast region.
SOLD