Ajax
Lithograph, 1932, Cole 14, edition 30. 9 7/8 x 13 3/4 in. Signed on the stone, lower right. Signed, dated, titled and inscribed "30 prints." Also, dedicated in pencil "To my dear friends Harry and Maria, Aug 7, 1932." (The reference is to the artist Harry Wickey and his wife, Maria.) This is a fine impression with full margins. The condition is good. There's very slight signs of foxing and old tape hinge remains on the left and right center edge of the margin. The print is inscribed in ink on the bottom, "Harry and Maria Wickey collection."
SOLD

John Brown
Lithograph, 1939, Cole 34, edition 250. 14 3/4 x 10 7/8 in. Signed on the stone and signed in pencil, lower right. This is a fine impression in very good condition. The margins have been trimmed to 1/2" on the top and sides and 1" on the bottom. This iconic American print is illustrated and discussed in The American Scene, Prints from Hopper to Pollack (2008) by Stephen Coppel (see pages 136-139). The painting that relates to this lithograph is in the Metropolitan Museum of Art in New York.
SOLD

Our Good Earth
Lithograph, 1942, edition 250. 12 7/8 x 10 1/8 in. Initialed on the stone, lower right. Signed in pencil. This is a fine impression in fine condition. The margins are full. This work was published by Associated American Artists in New York. The painting of this subject is located at the Chazen Museum of Art at the University of Wisconsin. A preliminary drawing is at the Beach Museum of Kansas State University.
SOLD

Prize Stallions
Lithograph, 1938, Cole 31, edition 250. 12 3/4 x 8 3/4 in. Initialed and dated on the stone. Signed and titled in pencil. This is a fine impression in very good condition. The margins are full. This print was published by Associated American Artists. Most of Curry's lithographs were printed by George Miller in New York.
SOLD