Artillery Train
Etching, 1919, Giardina 30, edition 100. 5 x 13 3/8 in. Signed in pencil. This is a fine impression printed with tone. The margins are full and the condition is excellent. This print was based on Eby's World War I experiences in France. The catalogue lists twenty-one impressions in museum collections.
SOLD

Berkshire Night
Etching and aquatint, 1945, Giardina 203 (ii/II), edition about 100. 10 3/8 x 14 3/4 in. Signed in pencil, lower right. This is a fine impression in very good condition. The margins are slightly trimmed and there's a faint suggestion of a subtle stain in the sky, upper left. This exemplary work depicts a scene in western Massachusetts.
SOLD

Brooklyn Bridge
Etching and sandpaper ground, circa 1930, Giardina 150 (i/III); small edition. 13 3/4 x 10 1/4 in. Signed in pencil with "imp" indicating this impression was printed by the artist. This is a fine, luminous impression of this very rare work. The margins appear to be full and the condition is excellent. This print was unpublished and a small number of proofs were printed in all states.
SOLD

Cow Shed
Etching, aquatint and sandpaper ground, 1946, Giardina 211, edition 100. 9 5/8 x 15 1/8 in. Signed in pencil. This is a fine impression with wide margins. the condition is fine apart from a soft wrinkle in the lower left margin. The scene depicted is in either Maine or Connecticut. This well crafted work was one of Eby's last prints.
SOLD

Day's End, Driftway
Etching and aquatint, 1939, Giardina 196 (iii/III), edition about 100. 8 1/2 x 15 3/8 in. Signed and numbered in pencil. This is a fine, atmospheric impression printed on cream laid paper. The margins are full. The condition is very good other than for a subtle, small area of discoloration at the platemark, upper left, and a subtle, small wrinkle in the image, lower left corner. This etching depicts the artist's home in Westport, Ct.
$800

Hatchet Cove
Etching, aquatint and sandpaper ground, 1937, Giardina 194, edition 100. 9 x 13 7/8 in. Signed in pencil. Here we have a fine impression with full margins. The condition is excellent. The scene depicted is near Friendship, ME. Nine impressions are cited in museum collections.
$850

In the Open
Etching, 1927, Giardina 123 (iii/III), edition 90. 7 7/8 x 12 3/4 in. Signed in pencil. This is a fine impression in excellent condition. The margins are wide and probably untrimmed. This print was based on Eby's World War I experiences in France. The work is cited in several museum collections.
SOLD

Light in the Woods
Etching and aquatint, 1931, Giardina 161 (iii/III); edition 100. 14 3/8 x 9 3/8 in. Signed in pencil. This is a fine, dramatically inked impression with full margins. The condition is also fine. This well done print effectively conveys the deep woods at night. Camping scenes are uncommon in American fine prints from this 1900-1950 era.
SOLD

Night, High Island, Maine
Etching, 1928, Giardina 131 (vi/VI), edition 90. 12 1/2 x 6 3/4 in. Signed in pencil. Here we have a very fine, luminous impression with full margins. The condition is fine apart from a rust speck in the right margin and a speck or two of foxing also in the margins. The influence of Whistler is clearly evident in this print. Eby's work is discussed in The Stamp of Whistler by Robert H. Getscher (1977), pages 278-279.
SOLD

No. 1 Wall Street (New York)
Etching, 1930, Giardina 148 (iv/IV), edition 90. 16 x 10 3/8 in. Signed and numbered in pencil. Here we have a fine impression printed with tone. The margins are full and the condition is excellent. This well known print depicts Trinity Church in the heart of New York's financial district. No. 1 Wall Street was the former headquarters of the Irving Trust Company. Construction began in 1929 and was completed in 1931.
$750

Still Hollow
Etching printed with plate tone, 1936, Giardina 185 (ii/II), edition 100. 10 1/4 x 14 3/4 in. Signed in pencil. A fine impression of this notable work. Full margins. Fine condition.
SOLD

Two Bridges
Etching, 1930, Giardina 149 (v/V), edition 90. 8 x 15 in. Signed and numbered in pencil. This is a very fine impression printed on cream laid paper. The margins are full and the condition is excellent. Ten impressions are cited in museum collections. This lovely panorama of New York shows the Brooklyn Bridge in the foreground and the Manhattan Bridge in the distance.
SOLD

White Water
Etching, 1929, Giardina 135 (viii/VIII), edition 90. 8 7/8 x 14 1/4 in. Signed and numbered in pencil. This is a fine impression with full margins. The condition is fine apart from a subtle area of toning in the upper right margin. The paper bears a partial VAN GELDER ZONEN watermark. The catalogue states the scene depicted was done in Canada or New England.
$600