Casting Office
Lithograph, 1945, Cole 65, edition 250. 9 3/4 x 12 3/4 in. Signed on the stone, lower left. Signed and titled in pencil below the image. This is a fine impression with wide margins. The condition is very good apart from the small original hinges at the top corners of the sheet. An impression of this exemplary, early print is in the Smithsonian.
SOLD

My Studio
Lithograph, 1944, Cole 63, edition 250. 12 1/4 x 9 5/8 in. Signed on the stone, lower right. Signed and titled in pencil. This is a fine impression with full margins. the condition is also fine and the original AAA hinges are at the top corners. (We also have the label that came with the print as issued.) This stellar early work is great example the timeless theme of the artist in his studio.
SOLD

Protected
Lithograph, 1938, Cole 55, edition 250. 13 3/8 x 6 1/4 in. Signed and titled in pencil. This is a fine impression printed on RIVES paper with full margins. The condition is excellent apart from the original paper tape hinges at the top two corners. This endearing, early print shows the artist as the exceptional draughtsman that he was. "Bedtime," from 1937, is a similar lithograph of a mother holding her child.
$900

Self-Portrait
Lithograph, 1967, Cole 116 (ii/II), edition 50 (plus an additional 50 in the first state). 10 1/4 x 8 1/4 in. Signed on the stone and in pencil. A fine impression in fine condition. Full margins. This is the cover illustration for the catalogue raisonne.
SOLD

The Model
Lithograph, 1944, Cole 64, edition 250. 11 3/4 x 7 3/4 in. Signed and titled in pencil. This is a fine impression in fine condition. The margins are probably full and untrimmed. This is a very good example of Soyer's model studies done during the 1940s.
SOLD

Waitresses
Lithograph, 1954, Cole 71, edition 250. 11 1/2 x 9 3/8 in. Signed on the stone, lower left. Signed in pencil. Here we have a fine impression with wide margins. The condition is also fine. This is a nice example of Soyer's great skills as a draughtsman. Impressions are located at the Boston Museum of Fine Arts and the Crystal Bridges Museum of American Art.
$1,400

Young Model (The Model)
Lithograph, 1940, Cole 57, edition 250. 12 x 9 5/8 in. Signed on the stone, lower left. Signed and titled in pencil. This is a fine impression with full margins. The condition is excellent other than for the old, original hinges at the top corners. This is a fine example of Soyer as a traditional draughtsman "par excellence" and the model is one of his favorite subjects.
$1,250