Apple and Pear Blossoms in a Black Vase (Appel en Perenbloesem in Zwarte Vaas)
Etching and aquatint printed in colors, circa 1937, edition unknown. 19 5/8 x 22 in. Signed in pencil and also inscribed "Epreuve d'artiste." This is a fine impression of this large and impressive print. The margins are full and the condition is fine. (There's a small repaired tear just into the upper margin, center.) Everbag specialized in color intaglio prints and his florals are among his best works. A catalogue raisonné was published in conjunction with a retrospective in 1988 at the Museum Kempenland.
$2,200

Grimnessesluis (Amsterdam)
Etching and aquatint printed in colors, before 1941, Vervoorn 44, edition unknown. 24 x 18 1/2 in. Signed and titled in pencil. The print is also inscribed, épreuve d'artiste, in pencil. This is a fine subtle impression of the large and exceptional print. The margins are full and the condition is good. There's a professionally repaired split in the right margin outside of the platemark and some toning and residue adhesive on the verso from an early mount. A catalogue raisonné of Everbag's prints was published in conjunction with a retrospective in 1988 at the Museum Kempenland.
$1,850

Groenburgwal, Amsterdam
Mezzotint printed in colors, circa 1918, Vervoorn 13, edition unknown. 10 x 7 1/8 in. Signed in pencil, lower right. This is a very good impression printed on Japanese paper. The margins are full. There are two skilfully repaired splits along the platemark, top and bottom. There are also a few subtle printing creases in the image, mostly in the sky at right. This superbly crafted, Vermeer-like image is a tribute to Everbag's virtuosity in a variety of intaglio printmaking methods. He's best known for his color etchings.
SOLD

Hawthorn Branches in a Vase with the Coat of Arms of Amsterdam and Haarlem (Takken Meidoorn in een vase met het...)
Etching and aquatint printed in colors, probably 1930s, Vervoorn 103, edition unknown. 13 1/2 x 9 3/4 in. Signed in pencil, lower right. this is a fine impression in fine condition. The margins are full. A catalogue raisonné was published in conjunction with a retrospective in 1988 at the Museum Kempenland.
SOLD

Morning Glories in a Chinese Vase
Etching and aquatint printed in colors, circa 1931, Vervoorn 84, edition 75. 9 1/4 x 6 1/2 in. Signed and numbered in pencil. This is a superb impression with fresh colors. The margins are wide and the condition is excellent. Everbag specialized in color intaglio prints and his florals are among his best works. A catalogue raisonné was published in conjunction with a retrospective in 1988 at the Museum Kempenland.
SOLD

Pothuis met Sneeuw, Herengracht hoek Korsjespoortsteep te Amsterdam
Etching and aquatint printed in colors, circa 1920-30, Vervoorn 48, edition probably 50. 14 5/8 x 12 in. Signed and titled in pencil. Also, inscribed "épreuve d'artiste." Here we have a fine impression printed on sturdy cream paper. The margins are full. The condition is very good other than for slight toning along an old mat opening. A catalogue raisonné was published in conjunction with a retrospective in 1988 at the Museum Kempenland.
SOLD

Two Rabbits (Twee Konijnen)
Etching and aquatint printed in colors, circa 1926, Vervoorn/ Museum Kempenland 122, edition unknown. 7 1/8 x 9 in. Signed in pencil and inscribed "épreuve d'artiste." This is a fine impression of this charming print. The impression is fine and the condition is fine. (There's a faint suggestion of toning to the sheet.) This print exemplifies Everbag's great skills as a color intaglio printmaker. He was producing these plates at a time when color prints were the exception in the Netherlands and his color etchings were certainly among the best work done at the time. His earliest works were mezzotints after old masters. His mature work consists primarily of views of Amsterdam, flower studies, birds and other animals. His last important exhibition was at the Museum Kempenland in Eindhoven in 1988. Everbag's prints are consistently good and they are especially sought after by collectors in his native country.
SOLD

White Chrysanthemum in a Blue Green Vase
Etching and aquatint printed in colors, done before 1923, Vervoorn 97, edition unknown but perhaps 50. 18 x 16 1/4 in. Signed in pencil, lower right. Inscribed, épreuve d'artiste," lower left. This is a fine, rich impression with one inch margins. The condition is fine apart from the slightest trace of an old mat line. This large work exemplifies Everbag's great skills as a color intaglio printmaker. He was producing these plates at a time when color prints were the exception in the netherlands and his color etchings were certainly among the best work done at the time. His earliest works were mezzotints after old masters. His mature work consists primarily of views of Amsterdam, flower studies, birds and other animals. His last important exhibition was at the Museum Kempenland in Eindhoven in 1988. Everbag's prints are consistently good and they are especially sought after by collectors in his native country.
$2,500

White Tulips in Chinese Ginger Jar (Witte Tulpen in Chinse Gemberpot)
Etching and aquatint printed in colors, undated (probably done in the 1930s), Not in Vervoorn, edition at least 38. 10 1/2 x 14 3/4 in. Signed in pencil, lower right. Inscribed "38" in pencil, lower left, most likely a reference to the edition. This is a fine impression printed on sturdy wove paper. The margins are good and the condition is good. There's some skinning in the top margin and darkening to the margins from having been mounted in a mat. Some foxing on the verso. This is a large and stunning work of a quintessential Dutch subject.
SOLD